King Crimson

Steven Wilson – Hand. Cannot. Erase. Review

By Angry Metal Guy on March 30, 2015 in 2015, Kscope, Not Metal, Progressive Metal, Reviews, Progressive Rock, 63 comments

“Unlike many of my friends and colleagues, I’ve rarely been moved by Steven Wilson’s music. With notable exceptions, Porcupine Tree’s studio work put me to sleep. Nor, I must admit, was I a fan of Insurgentes or Grace for Drowning at release. Despite having long been harangued for being an Opeth fanboy, I could not get into Storm Corrosion. In fact, if you’d asked me 5 years ago, I would have said that Steven Wilson’s genius is the ways in which he makes other bands sound incredible. That changed for me, however, with The Raven Who Refused to Sing from 2012. So when I heard that Wilson had a new record coming, I was intrigued: would it keep up the momentum and style of The Raven?” Well, can it?

Zemial – Nykta Review

By Grymm on November 1, 2013 in 2013, Black Metal, Greek Metal, Hells Headbangers Records, Reviews, Black Metal, 1 comment

“Papa Grymm once told me, when I was just a wee little kvlt tyke, “Son, if you want something done right, you have to do it yourself. Also, clean your room. You’re an embarrassment to the Inner Circle.” Archon Vorskaath, mastermind behind the amorphous Greco-German black metal machine Zemial, is the posterchild of the DIY ethos, recording and performing all vocals, instruments, and sound effects, as well as releasing 2006’s In Monumentum, all by his own not-so-little lonesome over the last 20 plus-years, spawning two albums and handful of EPs. Vorskaath’s visionary trek continues with Nykta, Zemial’s third full-length and first for Hells Headbangers Records.” Ah, Greek black metal. So Spartan, so evil. It certainly seems to take Grymm back to his kvlt childhood.

Witherscape – The Inheritance Review

By Steel Druhm on August 13, 2013 in 2013, 4.0, Century Media, Death Metal, Progressive Death, Progressive Metal, Reviews, Swedish Metal, Death Metal, Progressive Metal, 17 comments

“There are few sure things in the world, but there’s one name that screams quality and excellence and that name is Dan Fucking Swanö. From his work on top-notch death metal albums like Edge of Sanity’s Crimson, his collarboration with Bloodbath, Threshold and Demiurg and his proggy solo albums like Moontower, the man has the midas touch and one of the best death roars of all time. He’s also a producer extraordinaire and perhaps the best at making death metal sound the way it should. Witherscape takes his hefty talents and pairs them with unknown instrumentalist Ragnar Widerberg and the result is a concept album about a gothic insane asylum and evil goings on. Musically, it’s a stunning mash-up of Crimson, Damnation-era Opeth, Omnium Gatherum, Mercyful Fate and even King Crimson.” Steel Druhm has a mancrush on Dan Swanö and you should too, unless you’re a woman. Join him as he explains why Witherscape justifies his love.

Locrian – Return to Annihilation Review

By Alex Franquelli on June 21, 2013 in 2013, 4.5, American Metal, Groove Metal, Non-Metal Metal Things, Relapse, Reviews, 3 comments

“Have you ever wondered what happens to the music nobody listens to? It implodes. It does not even make any noise. It simply withers unnoticed, forgotten, unwanted. Then there is the music that stays: that particular strain of artistic endeavor that appeals to the masses and (sometimes) the niches and that we are taught not to live without. Locrian are the natural evolution (some may say ‘consequence’) of the Chicago scene of the late 90s where acts like Tortoise, Isotope 217, and Gastr Del Sol flourished and kept the territory safe from the dying throes of grunge.” Alex thinks this album shouldn’t be left to implode into a black hole of apathy. In fact, he seems quite taken with this experimental fusion of drone, blackness and the kitchen sink.

OHMphrey – Posthaste Review

By Dr. Fisting on April 3, 2012 in 2012, 3.0, Not Metal, Reviews, Progressive Rock, 3 comments

Ex-Megadeth guitarist joins forces with hippies; chaos ensues

Zebulon Pike – Space is the Corpse of Time Review

By Natalie Zed on January 17, 2012 in 2012, 4.5, American Metal, Reviews, Unsigned Bands, 3 comments

One of the simplest facts about Zebulon Pike is that they are a band based in Minneapolis, Minnesota. After that, things become much more complicated, as they engage in a genre of music that can only be described as auditory mad science. Formed in 2002, every single one of their albums has been a brain-demolishing piece of experimentation: And Blood Was Passion in 2004, The Deafening Twilight in 2006, and Instransience in 2008. With each release, they have become more dense, more intelligent, more volatile. Space Is the Corpse of Time continues this progression, spiralling out in a universe of it’s own making.

Opeth – Heritage Review

By Angry Metal Guy on September 7, 2011 in 2.0, 2011, Progressive Metal, Reviews, Roadrunner, Swedish Metal, Progressive Rock, 126 comments

Disclaimer: Knowing how to review this record has been very difficult for me because I’m a big fan of the band and I have no desire to try make my opinion seem bigger than the band’s work. I understand my subjective position as a reviewer very well. But this record suffers from pretty major issues that it make it very difficult for me to enjoy and that show off the weakness of the band in its current incarnation. I am aware that there will be a good amount of whining and gnashing of teeth over this review, and you’re welcome to it. Just remember that I 1) am not invested in Opeth playing death metal; 2) like plenty of bands that have changed their sounds; and 3) enjoy progressive and abstract music of all stripes very much.