Mar19

Hot Lunch – Seconds Review

By GardensTale on March 16, 2019 in 2019, American Metal, Hard Rock, Proto-Metal, Reviews, Tee Pee Records, Stoner Metal, 67 comments

“Proto-metal is a bit of a strange moniker to apply to modern-day bands. The “proto” prefix literally means “first” or “common ancestor,” so linguistically it makes little sense to apply it to any band past 1975. Yet with the popularity of everything retro, plenty of bands try to recreate that pre-metal hard rock sound that laid the foundations of our favorite genre. Hot Lunch are as proto as proto gets, despite first appearing with their self-titled debut in 2013. With the sophomore slab, appropriately titled Seconds, can they function as the time machine they aim to be?” Back to the past and future.

Forged in Black – Descent of the Serpent Review

By Holdeneye on March 15, 2019 in 2019, British Metal, Fighter Records, Heavy Metal, Reviews, Thrash Metal, Heavy Metal, Thrash Metal, 44 comments

“My foray into the world of metal music proceeded with a two-pronged approach. Killswitch Engage ushered me in through the metalcore gate by which many of my generation have found their metal calling. It didn’t take long for this path to lead me into the rich territory of modern extreme metal, and I surveyed the land and found it to be good. But around the time that I was first hearing “The End of Heartache” on the radio, a friend of mine showed me a band that he had seen on VH1’s 40 Most Awesomely Bad Metal Songs. The band was Manowar, and what my friend meant for laughs struck a very serious chord within me.” Heart of steel and serpents.

Blacklist-9 – Mentally Ill, Legally Sane Review

By GardensTale on March 15, 2019 in 2019, American Metal, Eclipse Records, Groove Metal, Nu-metal, Reviews, Groove Metal, Nu Metal, 141 comments

“It’s funny how bands try to embellish their true nature through genre tags sometimes. Metalcore often tries to lay claim to melodic death metal, probably because it causes less out-of-hand rejection. Progressive metal promos are a minefield of djent bands, which can be progressive but are often anything but. Another one to be wary of is groove metal. Groove metal doesn’t have a great reputation in and of itself, and it’s bound to degrade further with the amount of nu-metal bands co-opting the term. Blacklist-9 (written randomly with or without hyphen even on the band’s own sources) ostensibly play groove metal.” Adding to the list.

Contrarian – Their Worm Never Dies Review

By Saunders on March 14, 2019 in 2019, American Metal, Progressive Death, Progressive Metal, Reviews, Willowtip, Death Metal, Progressive Metal, 77 comments

“Dear readers, what are your favorite ’90s progressive or technical death metal albums? Perhaps it’s Cynic’s legendary Focus, Death’s Human, Edge of Sanity’s Crimson, or is it Pestilence and their classic Consuming Impulse opus? Or maybe Atheist’s brilliant Unquestionable Presence album floats your boat. Or digging deeper, a more left-field choice: Martyr’s underrated Hopeless Hopes. New York’s Contrarian pay omage to the classic ’90s progressive and technical death scene through their retro and impressively authentic throwback style of spazzed out prog death on their third LP, Their Worm Never Dies.” Undying worms and olde death.

Deafkids – Metaprogramação Review

By Huck N Roll on March 14, 2019 in 2019, Brazilian Metal, Experimental Metal, Industrial Metal, Neurot Records, Noise, Non-Metal Metal Things, Punk, Reviews, Experimental Metal, Industrial Metal, Noise, Non-metal Metal Things, Punk, 46 comments

“As one of the resident “I like weird music” suckers in the AMG offices, it fell to me this month to take on the latest from Brazilian noisemakers Deafkids: their third album, the copy-and-paste titled Metaprogramação. These fellows create a bizarre fusion of noise rock, punk, and Brazilian polyrhythms, leaving us with something that is both disturbing and hypnotizing at the same time. Newly signed to the Neurosis label Neurot Recordings, and actually supporting (along with Bell Witch) Neurosis for their upcoming brief North American summer tour, all signs are pointing up for Deafkids. Now, how to go about reviewing something that Steve Von Till describes as “sonic Ayahuasca?”” Kids today.

Skeletoon – They Never Say Die Review

By Eldritch Elitist on March 13, 2019 in 2019, Italian Metal, Power Metal, Reviews, Scarlet Records, Power Metal, 74 comments

“Considering the prevalence of nostalgia culture in social media, I’m surprised that Richard Donner’s 1985 cult classic The Goonies hasn’t seen a significant surge in popularity. Seeing it today reminds me that the film was a perfect recreation of my wildest childhood fantasies of close-lurking adventure. Yes, there is a pirate ship loaded with treasure hiding underneath your hometown. Yes, you have to go down an extremely fun and extremely dangerous waterslide to get to it. Yes, you can steal a kiss from your older brother’s hot girlfriend, even if your older brother is an even hotter Josh Brolin. If there’s any musical genre in existence that’s all about crafting a similar sense of childlike wonder, it’s power metal; so, as lame as it is, a power metal concept album about The Goonies makes some sense.” Goo-nie-capped.

Twisted Tower Dire – Wars in the Unknown Review

By Steel Druhm on March 13, 2019 in 2019, American Metal, Heavy Metal, No Remorse Records, Reviews, Heavy Metal, 92 comments

“If all the metal genres got together at a day spa for grooming and pampering, Trve Metal would have the hairiest back in the place and require the most wax and patience. Sure, brutal death and slam are more Neanderthal and low brow, but the trve world revolves around bravado-drenched, chest beating tales of swords, sorcery and sandals to such an extent that it brings out the inner barbarian pelt in even the most introverted, basement-dwelling LARPers. Virginia’s Twisted Tower Dire always mined the depths of this Hyborian ethos, searching for their Arkenstone of inspiration.” Slash and burn.

Their Throats Are Open Tombs – Of Psalms and Snakes Review

By Grymm on March 13, 2019 in 2019, Grind, International Metal, Noise, Reviews, The Fear and the Void Recordings, Noise, 81 comments

“Ahh, religion. Bane of metal’s existence, religion has been the genre’s punching bag since its dawn. Many songs wove stories of people killing, raping, and pillaging for God, with some of their own followers (past or current) calling them out as well. It’s all with good reason, of course; you do good deeds just for the sake of helping someone or something out, not to look good in the eyes of others. Don’t even get me started on the excessive hoarding of expensive gifts or getting away with dubious activities in the name of God. That’s where international noise outfit, Their Throats Are Open Tombs, comes in with their second full-length helping of electronic grindcore.” Repent less.

Meadows End – The Grand Antiquation Review

By El Cuervo on March 12, 2019 in 2019, Black Lion Records, Melodic Death Metal, Reviews, Swedish Metal, Symphonic Metal, Death Metal, Melodic Death Metal, Symphonic Metal, 82 comments

Sweden’s Meadows End has been pushing their symphonic metal wares on the world for over 20 years and across 3 full-length albums yet had surprisingly avoided coverage at this website thus far. Album four goes by the name of The Grand Antiquation (TGA) and features album artwork about which I am undecided: is it delightfully tacky or just tacky? Light / dark theme? Check. Angel / devil imagery? Check. Heaven / Hell setting? Check? Shotgun wielded in one hand Terminator-style? Check. It’s certainly eye-catching and perhaps an indicator of the unsubtle amalgamation of metal and classical housed within. But does it fall closer to Heaven or Hell?” Worse or better angels?

Wendigo – Wasteland Stories Review

By Treble Yell on March 12, 2019 in 2019, Doom Metal, German Metal, Reviews, Self-released, Stoner Metal, Stoner Rock, Stoner Metal, Stoner Rock, 37 comments

“I don’t know when it happened but at some point I become Cardinal Treble Yell, Debut Album Inquisitor to the twisted church of AMG. Once tallied it was a surprise to discover that debut albums made up a sizable portion of my body of work, so much so you could say I wasn’t expecting it. No one expects it. The chief reason for this is a desire to discover unknown bands…and expose myself to unfamiliar sounds…unknown bands and unfamiliar sounds… My two reasons are unknown bands and unfamiliar sounds…and also because I’m late when it comes to claiming promos… My three reasons are unknown bands, unfamiliar sounds and late promo picking.” Cardinal of the Wasteland.