Nile

Crescent – Carving the Fires of Akhet Review

Crescent – Carving the Fires of Akhet Review

“I’ve said it before and, Ra be damned, I’ll say it again. I love eastern themes in metal. As a result, my interest is naturally piqued by any band utilizing those progressions or from that part of the world. I discussed this at length in my review of Crescent‘s 2018 album The Order of Amenti. These Egyptians definitely know how to implement dynamic scales amidst stone-cracking riffs. Now, ignited with a little new blood, Carving the Fires of Akhet prepares to descend on the masses in a flurry of smoke and ash.” Axe, wax or wane?

Anthropophagus Depravity – Apocalypto Review

Anthropophagus Depravity – Apocalypto Review

Anthropophagus Depravity is a brutal death metal quintet from Yogyakarta, Indonesia, and 2021’s Apocalypto is their debut. While undoubtedly committed to bludgeoning listeners over the head with gore-splattered riffs, tar-thick grooves, and hell-scraping gutturals, Apocalypto is also dedicated to Mayan civilization and its emphasis of human sacrifice.” Sacrifices must be made.

Diabolizer – Khalkedonian Death Review

Diabolizer – Khalkedonian Death Review

Khalkedonian Death may be Diabolizer‘s official full-length debut, but the Turkish band brings a strong death metal pedigree to the starting gate. Featuring members of Hyperdontia, Burial Invocation, and Engulfed, Diabolizer play a brutal, technical, yet groove-filled style of death metal formed from the blasphemous union of diabolical influences like Deicide, Nile, and Cannibal Corpse.” Death devil in the details.

Thūn – Thūn Review

Thūn – Thūn Review

“A lot can happen in five years. Jobs come and go, kids grow up, and White Wizzard can receive a mere 3.0 review. What else can happen? Well, if I may be momentarily self-indulgent, maybe I’ve written for this Blog to End All Blogs for five years now. In fact, my first review for Angry Metal Guy, which will never be published, was written exactly five years ago to the minute in which I put quill to scroll for this review. Five years ago, the scope of metal in my windscreen was as minute as the amount of hair sprouting from the top of my head. Now I’m aware of relatively obscure bands like Monsterworks. And Bull Elephant. And now, Thūn.” Old cowboys and new bull elephants.

Contrarian – Only Time Will Tell Review

Contrarian – Only Time Will Tell Review

“My first exposure to American progressive death outfit Contrarian was on their third LP, 2019’s Their Worm Never Dies. Despite impressing with their technical skills and old school soul, the material never quite hit loftier heights, resulting in an enjoyable, talent-laden album of the solid variety. Only Time Will Tell is a relatively speedy turnaround and comes with some line-up changes in tow.” Prog after Death.

Valgrind – Condemnation Review

Valgrind – Condemnation Review

“Most of us know someone who doesn’t speak often, but when they do, we listen. Case in point: Not long ago, I received a cryptic message from Ferrous Beuller that simply said, “You should pick up the new Valgrind for review.” And that’s all it took.” Iron commands.

Necrowretch – The Ones from Hell Review

Necrowretch – The Ones from Hell Review

“I tend to steer clear of death metal as a genre. There are two principal reasons for this. First, I don’t really like death metal – the unrelenting nature of the music, coupled with the dying frog vocals, just doesn’t do it for me. Second – and as a function of the first – I don’t know much about it. But, if you stick a ‘blackened’ tag in front of ‘death metal,’ shit, I guess I’ll give it a go. So, French stalwarts Necrowretch, I hope you feel suitably honored by the amateur treatment your fourth full-length, The Ones from Hell, is about to receive.” Death for dummies.

Svart Crown – Wolves Among the Ashes Review

Svart Crown – Wolves Among the Ashes Review

“While Svart Crown have never shied away from ambitious concepts, Wolves Among the Ashes presents, for better or worse, the most direct sublimation of extramusical ideas in their style. Initially, the music is as demented as the psychological and sociological madness they choose to explore.” Wolves and madmen.