![Senza – Even a Worm Will Turn [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/12/Senza-Even-a-worm-Will-Turn-Cover-768x768.jpg)
“The bird snared in a net. The snake with a wound in its side. The fawn with a broken leg. Glassy-eyed and propelled only by adrenaline, they will lash out; they will peck, claw, kick, and bite, not for malice, but as a reflex. The body, independent of thought, will jerk and writhe and mangle itself further. We all have a desperate subconscious violence we hope will never surface, a basic, universal response no different than the flailing of an impaled insect.” Survive or die.
It’s late in the year, and list season is upon us. For the past eleven months, trying to keep up with all of the quality extreme metal has felt like trying to drink from a fire hose. The volume of stellar releases has only multiplied in recent weeks, and for every one I manage to catch, three more stack up on my “get to” pile. So with all that metal practically begging for my attention, now seems like the perfect time to take a break from it. I was unfamiliar with Buildings when I chose Negative Sound from the promo pit, but its tag of “noise rock” and distinctly non-metal artwork seemed the ideal pallet cleanser.” A clean pallet is a terrible thing to taste.
“Has there ever been a time when metalheads ’round the ‘verse rightly celebrated non-Converge metalcore? I am not qualified to answer this question, for in my infinite wisdom, I actually dig In This Moment quite a lot—and, for the record, Maria Brink sounds incredible live. I feel no shame for this, and because of that I am sure Angry Metal Guy would love nothing more than to sacrifice me to a rabid Muppet while playing Tetragrammacide in the foreground for good measure. But I digress. Germany’s For All I Care is a metalcore sextet of the non-Converge variety, and Forever and a Day is their debut full length. And as you might suspect given my polarized taste, it is possible that I might love this stuff.” We care a lot.
“As a pledged and proud purveyor of pessimism and particularly powerful pieces ov post-black pain, it’s probably presumed by you plebs that this puppet perceives positivity and pleasure as pointless and pathetic, practically on par with such unpalatable practices as publicly popping pimples or pooping in the pool. Well, be proud, you presumptuous phucks poopyheads: you’re right. Everything sucks and it’s all your fault. It’s hard for a Muppet to make much meaning of mankind’s minute moments of mirth when there’s just so much wrong with the world. I could go on forever about how humans are just the absolute fucking worst, but it wouldn’t sound anywhere near as glorious as King Apathy’s latest sonic assessment of the essential suckiness of our species. So, in the interest of avoiding my transforming into a velvety Lewis Black, let’s rant talk write about that instead.” And this guy thinks the SCORE he’s giving these guys is the thing that’s gonna get him fired…
“I’ve learned that when it comes to the promo sump, metalcore sneaks in the back door. This makes sense. we at AMG like to joke about all things -core, so why explicitly say you’re a metalcore band in your promo? Why not say you play post-metal, and when you’re safe inside the city gates, sneak out of that Trojan horse and stab the shit out of us with your VERY EARNEST SCREAMING and siq breakdowns? And so it is that I find myself reviewing Sacrifices, the second full-length from Germany’s A Secret Revealed.” Core at the door.
“When Bosse-de-Nage’s All Fours released in 2015, my familiarity with post-metal started and ended with the clusterfuck that was Deafheaven’s Sunbather. All Fours, needless to say, caught me completely off guard. It was raw and intense, evocative without overacting, and certainly more committed to metal than the internet’s collective bitching led me to expect. Further Still has some big expectations to live up to.” Bosse or Bath.
“Knock knock, open up the door: it’s real metal! Non-stop and popping, it’s Steel and crew going hard and getting busy dropping trvth bombs on everybody’s asses. Here at AMG, a squad of rough writers rolls through the block, putting in work for all you kids who don’t know where the Hooded Menace is at, and it ain’t about the dough; it’s about being down for what you all stand for, fuck waiting for you to get it on your own. AMG is all about that chug life, his homies find the metal and share the wealth, and we all say thank ya.” Core runs through it.
“Leeds-based foursome Blacklisters’ sophomore release Adult is a cynical punch in the face accompanied by a sardonic smile. An eruption of sickening bile gestated for years in pools of angst spat by generations of punk, hardcore, and noise bands.” If you’re like me and don’t like clowns, this cover creeps you out.
gotta say up front that I am not a big fan of sludge, I mean, you should be forewarned of this. So when I first heard The Ocean’s controversial (and apparently much hated) opus Heliocentric I was really happy about it. It was way more shoegaze or post-hardcore than it was sludge or anything really coming near to it. Short on the hardcore and tall on the clean vocals, I was impressed. I gave it a 4.5/5.0 and I stand by that (in spite of the incessant whining of jilted fans). So I was pretty interested to take a listen to the follow-up Anthropocentric. And my worst fears were confirmed: they pulled an Opeth. Soft record. Heavy record. Blech. Anyone else ever notice that this never works?
Apparently everyone but me has heard of The Ocean Collective and has been all stoked about them for the past few years and talking about how cool they are. Apparently they’ve even opened up for bands like Cult of Luna and Opeth and have toured the world doing tons of shows and going through a bajillion members on the way! Who knew!? Apparently everyone but me! So let me say that this record was a shot in the dark. Metal Blade is distroing another more underground band through their label and while this hasn’t always done them well, this was definitely a good choice.
