Sabaton // Coat of Arms Rating: 3.0/5.0 – These arms are getting tired Label: Nuclear Blast (US | EU) Websites: sabaton.net | myspace.com/sabaton Release Dates: EU: 21.05.2010 | US: 06.29.2010 Like a deranged history teacher who converts the chapter on World War Two into a classroom metal show, Sabaton blasts away about war, war and […]
Those well-versed in the metal arts may see a band named Disdain and expect a dose of brutal death metal or possibly some frostbitten and bitter black metal. In this case however, the name is quite misleading. Disdain’s debut album Leave This World reveals a Swedish troupe bringing a somewhat unique spin to the traditional power metal sound and sounding far more experienced and professional than you might expect. This may owe to the fact that these guys have been in existence since the late 90’s and at one time even included Nightwish’s Anette Olzon on vocals. I can already hear the chorus of power metal bashers out there (you know who you are) screaming about how much crappy power metal is already on the shelves these days and how there isn’t room for any more whether it’s good, bad or ugly. Well, doubters be damned! Disdain has managed a rare feat and rise above most of their peers with this release while managing to avoid the many pitfalls that doom lesser power metal bands.
Well shiver me timbers, it’s a pirate metal concept album! Sure, Running Wild has been doing that since 1987 but can you ever really have enough pirate metal? Yarr, I think not me mateys! So it is with open arms I welcome Salt, the new album by Denmark’s Wuthering Heights. Salt is the band’s fifth release and although they began life in 1997 as a power metal unit, I am not exactly sure how to classify them now. They still have many elements of traditional power metal (fast, galloping rhythms, speedy yet melodic guitar work) but they have evolved into a far more progressive and unorthodox entity over time. So much so in fact, that yours truly couldn’t get into their past two releases because they were just too schizophrenic, scattered and disjointed. I will admit that after my initial few listens to Salt, I had exactly the same problem and was prepared to send this album down to Davey Jones’s Locker with a vicious cannonade along the lines of “ARRRRRR, she blows!!!!” Then slowly, the album’s buccaneer charm began to seep into my head and I started liking it (although at first I only liked parts of it and prepared to say it possessed merely “pieces of great, pieces of great”). However, after two days of soaking in the Salt, I have signed on for this expedition and am ready to pillage and quaff ale right along with Wuthering Heights.
Hate is a very strong word and perhaps it gets thrown around too casually these days. After all, hate is a very ugly, negative emotion and even the angriest of metal guys should strive to avoid it. With that said, I hate Royal Jester’s debut album Night is Young. Maybe that sounds harsh but it’s the sad truth. It isn’t the musical style that brings me to hate it. Royal Jester plays Euro power metal and I really like Euro power metal when it’s done properly. I even like some of what might be called “happy power metal.” In fact, it seems I have become the resident power metal geek around these parts and that’s why this review ended up in my lap. However, after sustained, repeated listens to this album with an open mind, and giving this young band from Sweden every possible benefit of the doubt, there isn’t much good to say about Night is Young.
Tobias Sammet, the voice of Edguy and mastermind behind Avantasia, clearly doesn’t mess around when it comes to self-confidence and ambition. Few artists would have the sheer cojones to undertake as daunting of a project as a double album with over 2 hours of music featuring no less than 19 guest musician. That however is exactly what he serves up with The Wicked Symphony and this album, Angel of Babylon (being Parts II and III of The Scarecrow trilogy respectively).
As a young lad, my dear mother strove to teach me two important things: first, don’t be an angry metal boy/guy, and secondly, never judge others. Well, as an angry metal guy reviewing albums I’d say I’m a major disappointment, but I really can’t say that I’m as big of a disappointment as the meaning of the Finnish band Kiuas’ name. Kiuas is a Finnish word that roughly translates into sauna stove or stove of sauna. So, in essence, this band is called “SAUNA STOVE?” These guys lose Angry Metal Points.
Talk about a long-suffering, unheralded and unsung band! Tarot has been slogging through the metal trenches in relative obscurity outside of their native Finland since 1986. For many non-Finnish folk (myself included), Tarot was an unknown quantity until lead singer and founder Marco Hietala joined up with Nightwish in 2002 for their Century’s Child outing, thereby drawing much needed attention to his primary recording outfit. It has been nearly four years since 2006’s Crows Fly Black, but finally the metal underdogs of Tarot are back in action with their eighth album, Gravity of Light.
It seems forever since Italian power metallers, and just generally over-the-top crafters of Symphonic Hollywood Metal (or as I called it in one of my very earliest reviews “Sword Swinging Elf Metal”) produced an album. And really, in terms of the modern music industry it has been a very long time. Rhapsody of Fire’s last album, Triumph or Agony, was released in 2006 to almost no fanfare. I didn’t see a single advertisement for the album, I never knew that it was being released and I had no idea that they had even been working on a new album at all. One day I just walked into my local record store and saw it on the shelf there. The total lack of build-up foreshadowed how I felt about the album, and frankly the record that had gone before it: it lacked what I was looking for in a Rhapsody of Fire album. The guitar orientation was gone, the songs were not as huge, the guitar not as bombastic and the feel was generally one that I just could never really get into. Both Symphony of Enchanted Lands pt. II and Triumph or Agony, while technically filling the standards set by the band, certainly didn’t live up to what I see as the band’s crowning jewel Power of the Dragonflame.
Recently I’ve said in several different posts that I thought that Koskenkorva was the reason for the Finnish heavy metal craze. Turns out, I’m wrong. Apparently there is an indoctrination process that starts very, very young. Indoctrination, from heavy metal guys in dinosaur suits. Aptly named “Heavisaurus”! Their videos now litter the web and are […]
Egyptian metal is apparently a genre now! I didn’t have any clue! I just thought it was kind of a thing that Nile did. And then it was Nile and Behemoth. And then it was Nile, Behemoth and SepticFlesh. And now it’s Nile, Behemoth, SepticFlesh and Aeternam! I think that counts as a genre! So, that’s pretty cool in and of itself. Oh, and it turns out that Aeternam is pretty cool themselves, leading to a generally all around happy feeling for a few fleeting moments before the general irritants that keep me so angry all the time come crashing back in.
