“Something evil stirs beneath the Akropolis. Runes begin glowing red in the deep tunnels beneath the temple. Animals scatter in panic as drums rise from the depths. Vendors in Anafiotika pray to their respective gods, but find no respite in faith, as the ground begins to shake and crack. The reason for this unholy display? Septicflesh are back with another fat slab of orchestral death!” Night on Septic Mountain.
“Anybody familiar with Sólstafir’s discography, knows that they’re agents of change. Where Í blóði og anda was steeped in abrasive black metal, Svartir sandar signalled a turning point for the band, showing signs of the post-rock/metal that Sólstafir would ultimately refine on their later releases. Do I have high expectations for Berdreyminn? Hell yes!” Great expectations is a depressing story.
“As an armchair linguist and general language nerd, I love listening to material in a language I don’t know. A sextet of Finnish Satanists and black metal veterans, Ajattara have a platter that fits that bill, and because of my total unfamiliarity with them, I approached the record with totally open ears. Lupaus, the band’s ninth full-length following a six-year hiatus, is a bit of a genre puzzle, as it’s hard for me to call it straight black metal.” Blackness, death and declension.
“Assumptions. No matter how hard we try not to make them, we always end up drawing conclusions about something without checking it out beforehand. In this case, with a description in our promo list as “melodic death metal,” and seeing that they hail from Sweden, I grabbed >i>Monolith of the Malign, the debut album from Pale King, expecting some twin-guitar Gothenburg melodies. And man, was I off. After much investigation, Pale King is a side-project of Jonny Pettersson and Håkan Stuvemark of long-running death-dealers Wombbath, aiming to capture an old-school melodic death metal feel, but with modern-day songwriting chops.” Olde school, new school, so many educational options!
“A great wise man once said, “You have your whole life to craft your debut album for the masses.” It’s true, though. The time taken to craft an impressive debut is, quite literally, limitless. While some bands gloriously fly against this logic, many of them take extra care to make sure their debut shines brighter than a million incandescent suns. Some bands take a few months after inception to write, while others, like Greece’s Disharmony, took a while. And by “a while,” I mean 26 years.” Band meets world.
“There are things you can count on every year around this time. Resolutions will be made, pursued, and immediately broken. If you’re American, groundhogs will be conspicuously spied on because of some archaic weather myth involving them and their shadows. And no matter what nationality you are, we will have a metric ass-ton of black metal to review.” Back to the black (again).
“Black Anvil is one of those bands you always expect to break through on their next record. Formed in 2007 by members of New York hardcore act Kill Your Idols, the black metal quartet’s 2009 debut Time Insults the Mind and 2010 follow-up Triumvirate initially seemed poised to break the group out of the underground with their infusion of Watain-style riffing into a sweaty hardcore aesthetic.” Is this when the Anvil cracks through?
“I must admit, prior to reviewing Rudra’s eighth full-length, Enemy of Duality, my only exposure to the band was bassist/vocalist Kathir’s vocal contribution for the song “देवदेवं (Devadevam)” on the new Rotting Christ album. Granted, while the song failed to win me over, it succeeded in making me aware of the Singaporean black metal band. Curious to check out the band’s self-proclaimed “Vedic metal,” and noticing that the band just dropped Enemy of Duality, I grabbed the promo and my trusty cans to see what the fuss was about.” Don’t be rudra.
“After years of meandering through the comments section as your friendly neighborhood bone-saw (and before as another beloved reader), I’ve had the pleasure of sparing with many of you, upsetting the tight-ass AMG HR department, and making fun of Diabolus for his bad taste in music. Somewhere in the last couple years, one of you recommended Root to me and forever changed my life.” Report to HR to get your life re-changed.
“There’s some saying we Westerners adopted about having too many cooks in a kitchen spoiling the meal. For the most part, it’s accurate. As we’ve seen with duos such as Godflesh and Anaal Nathrakh, it does take two to make a thing go right. German black metallers Imperium Dekadenz are another duo who’ve been at it since 2004, with multi-instrumentalists Horaz and Vespasian holding firm the entire time.” But what happens when they add a little Deafness to the mix?
