“Sentient Ignition burst onto the death metal circuit one year ago, dropping a two-track demo that caught the ears of everyone from MetalSucks to Toilet Ov Hell. Mixing melody, technical skill, and progressive intent, the demo delivered a product equal parts surprise and success. Enthroned in Gray is now tasked with living up to expectations set dangerously high for a band whose career spans 15 minutes and 52 seconds.” The confidence of youth and the wankiness of tech-death.
“Though I appreciate black metal and listen to my fair share of the genre, generally I’m more of a death metal guy, so I’m particularly selective when it comes to choosing artists to engage my black metal fix. When perusing the promo portal, for some reason the band name, album title and unsigned status of American/Armenian trio Highland was enough to pique my interest and curiosity. Plying their trade with a minimum of fuss, Highland channel Scandinavian second wave influences, spiked with shades of the livewire thrashing energy of Absu, riff-driven groove of Vreid, and seething wallop of Mantar, delivering an aggressive and dynamic album.” It’s over Anakin….
“I love Lich King. If I had any musical talent, I’d beg them for an audition. I’ve dabbled with the idea of thrash-covering Sheer Heart Attack under the name Lich Queen. I would drive two hours to their Massachusetts headquarters to treat foot-out-the-door vocalist Tom Martin to a steak dinner and twenty minutes of hanky-panky if he agreed to stick around.” The Doctor is a whore.
“70’s revival bands pop out of the ground like hallucinogenic mushrooms in this day and age, but despite making up half the population of the planet, there’s a somewhat depressing lack of female-fronted material. It’s an issue that has plagued rock and metal for decades, but when the annals contain such timeless talents as Heart and Janis Joplin, it doesn’t feel like a counterweight for all the testosterone should be too much to ask.” More Venus, less penis.
“I normally make a point of ignoring Facebook adverts. ‘I won’t be a victim to consumer culture!’ I say to myself; ‘you don’t know me!’ But the omniscient algorithms which now compose the base of all our interests and spending habits were once again validated. Promising progressive and post-metal, eye-catching artwork and a group local to me, Asira’s Efference beckoned with a sultry finger. And while I may have chided myself as I hit play on the single, I learned to re-love myself by its conclusion.” We frown on self re-loving.
“I’m about as fluent in South African metal bands as I am in French. And that’s a goddamn shame (the SA band thing, not the French thing). But, even for my limited knowledge of SA scene, I’m happy to say I spend a lot of time with a couple of good ones (Vulvodynia and Wildernessking). So, when I received a promo from a little known South African outfit (from our own SA native, Madam X), I was more than a little excited. Especially when I hit ‘play.'” This springbok has sharp horns ov iron.
“Gun to my head, I’d have to say that no metal sub-genre tickles my fancy as much as progressive metal. It’s hardly a fully independent genre, though, because how often do you call a band straight-up progressive metal? Well, sometimes, but usually it’s progressive death metal, or progressive power metal, or any of the other combinations. This is because while other sub-genres are more about a certain sound or atmosphere, progressive is almost exclusively about the structure of the songs, freeing the band from their verse-chorus shackles. This allows for longer songs with more room to explore, and the pull of a narrative structure leads to concept albums more than any other genre.” Is this a dream in a theater?
“We live in an age where trends tend to follow a very specific curve thanks to high-speed propagation and market saturation. Djent is no exception. The first stage is inception. A creator comes up with an idea, shares it, and becomes ground zero. Sometimes this is subtle and hard to trace back, sometimes it’s Meshuggah.” Consult the Djent Timeline if you will.
“Us no-wage slaves ceaselessly cranking the almighty Angry Metal Guy Patented Review Mill (patent pending) usually have the choice between handing a review in at least 12 days before release or receiving 50 lashes and a metalcore promo. But now and then, the brutal roar of Steel Druhm’s voice comes through the trap door above, barking orders to review a promo that has already been released but is so good it still requires a write-up, lest the unwashed masses find themselves missing out. Such was the case with Aeternam’s latest opus, Ruins of Empires.” Sand, Steel and slave labor.
“They say it’s important to remain challenged, to help stave off boredom and keep the motivation and creative fires burning. Life certainly throws up plenty of challenges without invitation in our fast-paced and volatile modern world. But with music, and extreme metal, in particular, we have a unique outlet and greater control to challenge ourselves. Unfortunately, it’s easy to rest on our laurels and stay firmly entrenched in our comfort zones.” Into the riff maelstrom.
