Sigh

Anareta – Fear Not Review

Anareta – Fear Not Review

“Somethin’s a brewin’ down in Nawlins, and it’s not just the festering street sludge that remains from this year’s Mardi Gras bash that has gone and passed. In fact, despite the region’s historical connection to the genre of that festering namesake, Anareta hasn’t an ounce of that groove and vitriol-fueled sound in their DNA—Fear Not comes with its own determined sense of dread and horror, though. You see, this sextet of stringed things and a drum kit play a form of gloomy and rollicking blackened metal led by the screech and saunter of a chamber orchestra trio—cello, viola, and violin fill the air of this grief-laden venture.” Crouching ferocity, hidden chamber pot.

Oranssi Pazuzu – Mestarin kynsi Review

Oranssi Pazuzu – Mestarin kynsi Review

“It has come to my attention that this will be the third time Oranssi Pazuzu have been reviewed on Angry Metal Guy, and that I will be the third unique reviewer to do so; I’ve been informed that Happy Metal Guy is “‘definitely’ alive and well,” and that Jean-Luc Ricard is “perfectly fine, now stop asking difficult questions,” but you still have to wonder if that’s a coincidence. I was surprised to see that Mestarin kynsi, the band’s fifth full-length, still needed reviewing…” Third time’s the harm.

Ars Moriendi – La solitude du pieux scélérat [Things You Might Have Missed 2019]

Ars Moriendi – La solitude du pieux scélérat [Things You Might Have Missed 2019]

“I may drive like a twenty-year-old, dad-joke like a forty-year-old, but I’m as fit as a flabby sixty-year-old and as spry as a seventy-year-old. I have two cups of coffee and have diarrhea for the rest of the day and, two beers later, I’m drunk. Yet, with Angry Metal Age comes Angry Metal Wisdom. As well as a lot of annual visits from old friends to the old-people home. This year, visits came from Darkthrone, Kampfar, Rimfrost, Sorxe, Stormhammer, Via Vengeance, War Curse, Reign of Fury, Second to Sun, and others. One visit I was most excited about was from Ars Moriendi.” Olde habits.

Dr. A.N. Grier’s Top Ten(ish) of 2019

Dr. A.N. Grier’s Top Ten(ish) of 2019

“Name another site out there with writers hiding behind silly monikers whom you know better than your best friends. Name a site you dared to lean on, pouring your heart out in the comments, getting positive and uplifting responses when you needed them most. Name a site you’ve spent as much time debating, loving, and sharing music as you have on AMG. You can’t.” Truth telling.

Reveal – Scissorgod Review

Reveal – Scissorgod Review

“No month of horror movies leading up to the big day. No romantic nights with Elvira. No King Diamond/Mercyful Fate marathons. But, I’ll be goddamned if Halloween escapes me before 2019 ends. So, instead of turkey preparations and being thankful for the useless shit in my life, November is my new October. And, as it turns out, there’s no one I’d rather spend it with than Reveal and their third concoction of mindfucking black and death, Scissorgod.” No safety scissors these.

Second to Sun – The Walk Review

Second to Sun – The Walk Review

Second to Sun hails from St. Petersburg, Russia and plays slick atmospheric black/death with a touch of thrash tickling the edges. But, before that, they played djent… Though you aren’t allowed to talk about that because the band doesn’t acknowledge Based on a True Story (or their ‘debut’ record, Gal agnostiske drømmer) as being a part of the band’s official discography. Instead, it all began with 2015’s The First Chapter. And though a transition from djent to wicked, unsettlingly melodic black metal (with clear headbangable moments) is odd, the strangest part about The Final Chapter is that it’s an instrumental album… I know what you’re thinking: shit’s getting weird.” Walk on home, boy.