Sulphur Aeon

Ulthar – Providence Review

Ulthar – Providence Review

“Their debut in 2018 was received poorly by the respective probationary writer, noting that it suffered from “conflating incomprehensible fury and aimless blasting with gripping riffs and relentless aggression.” While it was slightly underrated, and this at least demonstrates that not all of the probationary writers were overrating bastards (though all the ones who made the cut are), it was far from essential and hardly suggested that there were great things to come. Enter 2020 and Providence.” New year, new gear.

Earth Rot – Black Tides of Obscurity Review

Earth Rot – Black Tides of Obscurity Review

“Last month I sampled an advance track for Earth Rot‘s third full-length album, Black Tides of Obscurity, and I rather enjoyed what I heard. And now that I’ve spent some significant time with the full record, I have to say that I’m completely blown away. Black Tides of Obscurity is the sound of a band that believes the answer to the question “Should we play old school Swedish death metal or true Norwegian black metal?” is an emphatic “YES!”” Rot n’ roll.

Graveyard – Hold Back the Dawn Review

Graveyard – Hold Back the Dawn Review

“The promo in question is Hold Back the Dawn, the fourth full-length — and third of a planned four dealing with Lovecraftian horror — from Barcelona death metallers Graveyard, and it has so many good riffs that it just might be worth getting fired for. As it rises from the depths, you will find yourself powerless to move or even make a sound as the band’s influences writhe and constrict around you.” Tentacle porn is reborn.

Gravefields – Embrace the Void Review

Gravefields – Embrace the Void Review

“Life kinda sucks. Or, I suppose more accurately, the realization that I have no control over how everything changes despite my every last effort to keep things stable kinda sucks. Unexpected alterations to my goals and plans abound. I question decisions I once thought sound, only to later circle back after realizing the alternatives were ill-fitting. Those close to me change in ways I fail to anticipate. Introducing further complications, I change and impact others in ways they can’t anticipate. It is because of the relentless fickleness of life that I appreciate the things that remain consistent. Thank the abyssal lords who art burning in the depths of hell, death metal is often one of those things. And Gravefields, an Irish/French/Egyptian (respectively, one guy from Ireland, one guy from France, and the band as a unit operating/recording mostly out of Cairo) death metal band supply ample evidence supporting this claim.” Death adds life.

Hath – Of Rot and Ruin Review

Hath – Of Rot and Ruin Review

“Pure originality is overrated. I mean, yeah, it’s nice when something newfangled pops up and smacks you in the kisser. However, I would much rather see an already existent construct improved upon, re-imagined or perfected in some way. I don’t care if it takes three iterations or four trillion, five-hundred billion, three-hundred-forty-seven million, twenty-thousand-and-two iterations to get there.” If it ain’t broke, improve it!

Wachenfeldt – The Interpreter Review

Wachenfeldt – The Interpreter Review

“Hello, Friend. Are you still feeling sad because the latest Behemoth didn’t quite tickle your fancy? Are you experiencing anxiety and depression because you’re worried that your occult-themed music isn’t truly glorifying the Evil One? Are you craving some sinister blackened death metal with a heaping helping of thrash, Crowleyan lyrics, and some tasteful symphonic accompaniment? Then ask your Angry Metal Preferred Network Dr. if Wachenfeldt is right for you. Its proprietary blend of the aforementioned genres is specifically formulated to blacken your soul and to ensure that you’ve never feldt better!” A doctorate in death.

Ice War – Manifest Destiny Review

Ice War – Manifest Destiny Review

“Unless your band is Galneryus or Sulphur Aeon, a release date within a week of Christmas is about as suspect as it gets. Ice War, the moniker under which the Canadian solo artist Jo Capitalcide operates, doesn’t dodge the dregs of December either. Ice War’s new platter drops on the cusp of Christmas eve and is about as lousy as you’d expect a one-man traditional metal band to be at this point in the year. I don’t know whether that constitutes a spoiler, but if so, here’s another spoiler for you: the next Adam Sandler movie will be an unfunny comedy in an exotic locale. Some things are just foregone conclusions.” Fabulous disasters.