Venom

Sölicitör – Spectral Devastation Review

Sölicitör – Spectral Devastation Review

“2019 was a dream for me when it came to reviews: nearly 20% of the albums I covered were released by bands within 150 miles of my house, and of those several can be found in my own Puget Sound area of Western Washington. Quayde LaHüe and Mortiferum impressed me, and the now infamous “Skelator Incident” induced heretofore unseen levels of arousal and nearly resulted in my actual firing from this site. Naturally, I couldn’t resist the temptation to grab the debut of Seattle’s Sölicitör.” Criminal sölicitatiön.

Lord Vigo – Danse De Noir Review

Lord Vigo – Danse De Noir Review

“I went for a walk on a beautiful day – fifteen degrees Celsius or so – and gave Danse de Noir, the fourth record from German metallers Lord Vigo, its maiden voyage through my ears and mind. Within five minutes, I was reminded why I love this outstanding little genre called metal. Lord Vigo plays trad metal in the vein of Ram but stirs some Candlemass and Angel Witch into the mix for good measure.” Metal appreciation.

Vulcano – Eye in Hell Review

Vulcano – Eye in Hell Review

“Over the years the band lost some members, went on hiatus from 1991 to 1996, and released a slew of albums that never seemed to generate as much fanfare as their debut. Other than some curious midnight listens of Vengeance, I certainly hadn’t heard anything from the group until I came across Eye in Hell while rifling through the promo bin. Freshly signed to Mighty Music, this is the the band’s eleventh studio album and shows sole founding member Zhema Rodero joined by a new drummer and a trusted cohort of musicians who’ve been with the group for a few years now. Almost four decades into their existence, do Vulcano still scorch your ass or are their brutal eruptions long behind them?” Nighttime eruptions.

Lucifuge – The One Great Curse Review

Lucifuge – The One Great Curse Review

“If you are thinking that Lucifuge’s choices of band logo and cover art — not just on this record but on previous outings too — point towards them being fans of the old black metal guard of Venom, Celtic Frost, and Bathory, you’re spot on. And these tastes are reflected, to a significant degree, in the music, too.” Olden evils.

Yer Metal Is Olde: Iron Maiden – Iron Maiden

Yer Metal Is Olde: Iron Maiden – Iron Maiden

“From my perspective, this is a big year for Yer Metal Is Olde pieces, and it starts off with this piece of work. Iron Maiden wasn’t my first purchase by these legends: that would be The Number of the Beast, when it came out back in 1982. But after being blown away by that album as a twelve-year-old, I quickly gobbled up whatever else I could find – which wasn’t much. A few months later I grabbed my cassette copy of Killers, then the Maiden Japan EP, and finally their debut. So by the time I’d worked my way to this album, well, it confused me a bit. Why?” Eddie is olde.

Satan Worship – Teufelssprache Review

Satan Worship – Teufelssprache Review

“A good blackened thrash album is like coming home to your favorite armchair. You’ve had it for years, the material is soft and has long ago conformed to the exact contours of your buttocks, ensuring maximum comfort when you sit your ass down after a hard day’s work to watch whatever bullshit you can find on Netflix. Yet occasionally, an album will feel more like a chair you’ve owned too long. There’s potato chip crumbles stuck in the crevices. Stuffing is coming out of the edges. The recliner no longer works. It’s still a good reliable chair, but it doesn’t quite warm the heart as much as it once did.” Sofa worship.

Midnight – Rebirth by Blasphemy Review

Midnight – Rebirth by Blasphemy Review

“Few bands paint a picture quite as Midnight does. But, in this case, it’s no ordinary picture. It’s Hell. Even more than the ancient works of Venom, Midnight paints a blood-red scene of violence on a black canvas. I not only can feel it but I can smell it. The flickering reds and oranges burn to the touch and the air is stifling and uncomfortable. The fragrance is a mix of unwashed crotch and dogshit burning in a paper bag. When you pass through the large, creaking door to the back of this stinking asylum, your sweat solidifies to your face. From red hot to freezing cold, Hell’s non-smoking area in the rear is black and brown, with the stench of wet earth and decomposition. Yet, no matter where you are in this underground venue, the walls reverberate with the black rasps, fiery guitars, rumbling bass, and pounding drums of the lone devil, Athenar.” Welcome home.

Aggressive Perfector – Havoc at the Midnight Hour Review

Aggressive Perfector – Havoc at the Midnight Hour Review

“It’s clearly throwback week in the House ov Steel. No sooner do I crash land after high speed sledding through the 80s with Warsenal than I find myself prematurely buried in the creepy graveyard of 80s metal curated by England’s Aggressive Perfector. With a sound stuck in the mire between Mercyful Fate and Venom, and at times digging in the same graves that Deceased made a career out of defiling, their debut drags the unsuspecting listener through a horror revival of all the charmingly slimy metal hits of the 80s.” Havoc panic.

Toxic Holocaust – Primal Future: 2019 Review

Toxic Holocaust – Primal Future: 2019 Review

“Thrash has evolved into many things over its nearly 40 year existence, from primitive, crude beginnings to insanely fast, shockingly technical and surprisingly melodic forms. There’s something to be said for all these various shades, but for old timers like me, thrash is always best served raw, and rowdy with a side of cheap beer and a spiked leather fist upside the head. That’s where Toxic Holocaust lives, down in the slime with early acts like Sodom and the long forgotten NME.” Blast to the future.