![Yashira – Fail To Be [Things You Might Have Missed 2020]](https://www.angrymetalguy.com/wp-content/uploads/2021/01/Yashira-Fail-To-Be-01.jpg)
It’s difficult to bounce back after a massive loss. Jacksonville’s Yashira were riding high on not only an excellent debut album in 2018’s Shrine, but also via fervent word of mouth about their abrasive live shows (including a coveted spot in that year’s Welcome to Rockville), and a split with metalcore legends Zao. However, with the tragic death of drummer Seth Howard later that year, you’d be forgiven if you expected Yashira to call it a day.” Failing upward.
“There are two kinds of metal albums that tickle my fancy. The first kind takes a band’s trademark sound, alters it just enough to keep things fresh, but also retains everything that makes that artist or band unique, enjoyable, and otherwise impossible to do without. The other has mere glimpses of what made that band who they are, but throws so many curveballs, surprise left hooks, and a kitchen sink or twelve your way, and demands that you catch it all. Swiss avant garde spiritualists Schammasch most certainly fit into the latter with relative ease. Even after releasing a three-disc, exactly-100-minute monstrosity in the form of Triangle back in 2016, it still didn’t fully prepare me for what Hearts of No Light had in store for me.” That’s a big Schammasch!
“Kameron Bogges isn’t exactly a household name. In fact, prior to today’s review, the only thing I had to go by is that he’s the sole proprietor of one-man experimental act Four Hoove Death Pig, who has an album dedicated to baking banana bread under its belt. Sadly, about a year or so, Bogges suffered the all-too-real hospitalization brought on by what I can imagine would be a manic episode and was diagnosed with bipolar disorder. The ongoing struggle, as well as coping with such a maligned mental health condition, inspired I’m Losing Myself, released under the guise of An Isolated Mind.” Reflections on a struggle.
Grymm and Kronos have been a this metal review thing a long, long time. Therefore, their Top Ten lists should be considered essential reading. Read and learn.
“New York City is a strange dichotomy. Depending on who you ask, you’ll either get mental pictures of Broadway musicals, jazz concerts, the colorfully decorative Times Square, and shopping centers and skyscrapers within a stone’s throw of each other… or you’ll get a grim story of the rampant drug use and homelessness, its long history of violent crimes, and the hopelessness and gritty realities of its citizens that birthed the city’s rap, hardcore, and metal scenes. The thing is, either story would be correct. On their third full-length, Vile Luxury, Imperial Triumphant paints a vivid picture of their city’s duality: shimmering and powerful, yet simultaneously ugly and brutal.” The big apple is rotten to the core.
“2018 is off to a generally piss poor start when it comes to timely Record(s) o’ the Month postings, and I suppose some of the blame for that rests with us at AMG. I’m never one to point fingers and assign blame, but it’s mostly Muppet‘s fault and he’s a real problem that must be dealt with.” Blame the night.
“When Akercocke dissolved in 2012, a few of its members regrouped as Voices, releasing a respectable debut in the form of Voices from the Human Forest Create a Fugue of Imaginary Rain, revealing that there was some life left from the ashes of everyone’s favorite hedonistic prog-death merchants. However, absolutely no one was prepared for the relentless headfuck that came out the following year.” Voices carry… expectations.
“While my fair U.K. may be enjoying something of a qualitative metal renaissance as of late, I’m still not sure I am entirely convinced. The raw ingenuity of Anaal Nathrakh, Akercocke and, of course, Voices has yet to be matched—their capacity for redefining parameters gone largely unchallenged.” Disharmony in the U.K.
“I created my moniker out of a weird obsession with Akercocke. A close friend and I would muse over the lyrical and conceptual themes from Goat of Mendes, watch videos of the band being interviewed by Irish religious nuts, and generally make long-winded jokes over Jason Mendonca’s LinkedIn profile and his love for tweed and sophisticated exhibitionism. Beneath this was a love for the eclectic and unique extreme music that Akercocke crafted.” Tweed the demons.
“This being a Kronos feature, I must first launch into a brief and hateful tirade against an absurd and laughably incompetent enemy. Towards that end, I’d like to alert an Angry Metal Guy staffer that we are now officially beefin’. And that staffer is… 2015 Kronos.” War inside his head.
