Sludge

GoatHawkBuffalo – Come to Temple Review

GoatHawkBuffalo – Come to Temple Review

“It’s been quite a long time since I thought about ‘Portlandia,’ the I-have-to-assume wholly accurate depiction of life in Portland, Oregon. But reading the promo material for GoatHawkBuffalo’s full-length debut, I was put in mind of the particularly curious ‘We can pickle that’ sketch. Not because GoatHawkBuffalo are from Portland – the five-piece is based in Copenhagen, Denmark – but because of this statement from guitarist Asger Abel Sørensen, talking about how the band live-recorded Come to Temple but “subsequently recorded various crazy overdubs – we’ve had microphones in empty Jack Daniels’ bottles and buckets of water, we also ran a guitar signal through a pickle …”” Brine and brawn.

Byzanthian Neckbeard – Minaton Review

Byzanthian Neckbeard – Minaton Review

“Hailing from the bovine infested English Channel island of Guernsey, Byzanthian Neckbeard combine sludgy stoner metal with old school-minded death doom. Yes, these styles come from very different places and mindsets, but the rather large overlap on this Venn Diagram of Doom is labeled “big riff energy.”” Big, neckbeards mean big riffs (and cows).

Karyn Crisis’ Gospel of the Witches – Covenant Review

Karyn Crisis’ Gospel of the Witches – Covenant Review

“Over four years ago, Karyn Crisis released Salem’s Wounds, the debut album of her new project, Gospel of the Witches. While I found it to be an overly long, lopsided album, it was still awesome to see Crisis return to making heavy music again, and I was eager to hear more from this project. Fast-forward to 2019, and the Gospel are down to a tight three-person line-up, with Crisis once again teaming up with husband Davide Tiso, who handles the guitar, bass, and songwriting this go-’round, rounded out by Skinlab drummer Fabian Vestod. With four years between albums, are we looking at a stronger, more concise Gospel?” Out of the crisis, into the coven.

Transport League – A Million Volt Scream Review

Transport League – A Million Volt Scream Review

“If you’re like me, you’ve probably never heard of Sweden’s Transport League. Formed way back in 1994, they knocked out four full-length discs before breaking up in 2005. During this time, TL played an in-your-face sludge style that combined the hard knocks of Clutch with the ghoulish qualities of Rob Zombie and the Southern flavors of Down and Pantera. After dabbling in the industrial world for a few years with their band M.A.N., the boys decided to give Transport League another try.” League of the unextraordinary.

Void King – Barren Dominion Review

Void King – Barren Dominion Review

Void King is a four-piece stoner doom metal band from Indianapolis and Barren Dominion is their sophomore effort. Paying homage to doom greats like Sleep, Electric Wizard, and Goatsnake, while channeling amp- and pedal-abusing monoliths, these fucking stoners are set to drown listeners in THC-saturated waves of distortion. Do they succeed? Or will they end up only being the bulls-“high” of endless stoner doom puns?” Fuzz bombs.

Pinewalker – Migration Review

Pinewalker – Migration Review

“Five years in the making, the Salt Lake City five-piece describe the recording of their self-released debut as a “form of catharsis for all of us … [following] painful realities and losing loved ones to cancer, we poured [out] every ounce of hurt, sorrow, mourning, remembrance, joy, and clarity…” And make no mistake, you can feel that emotion in the many moods of this record.” Riding the pine.

Mizmor – Cairn Review

Mizmor – Cairn Review

“In Gareth Tunley’s haunting and haunted 2016 film The Ghoul, the whole of reality is bent and infected by the protagonist’s depression. He is trapped in a twisted, magically real manifestation of a Möbius strip. Here, all means of escape are soon revealed to be nothing but bottomless ladders that descend into the darkest craters of the human psyche. The beginning is the end is the beginning. There is no escape. But unlike The Ghoul’s main character who ultimately appears powerless, Portland, Oregon’s A.L.N. has the music of the project Mizmor (מזמור) on his side, both as a weapon and a vessel of catharsis.” WMDs for hope.

Soul of Anubis – The Last Journey

Soul of Anubis – The Last Journey

“There’s a moment after a slow build intro, just shy of two minutes into “Beyond the Plague” that stands as a thesis statement for The Last Journey, the sophomore album by Portugal’s Soul of Anubis, if not for the entire genre of sludge metal: create a sound so thick and heavy, that when it fully hits, it causes a wobble in the Earth’s rotation. Thousands of years from now, scientists would trace the formation of the great Canadian deserts and Antarctic rain forests to that slight rotational wobble, and the “Anubicene” would enter scientific vernacular.” Earth mover.