“The Mute Gods is the freshly minted project featuring a strong line-up of seasoned musicians from within the progressive music scene.” Spawned from Steve Wilson’s band, The Mute Gods deliver more proggy art rock for your elitist pleasure.
Primal Fear – Rulebreaker Review
“Just last week we covered Manimal and their crusade to recreate Judas Priest’s Painkiller for the umpteenth time. Now Primal Fear magically appears as if summoned from some traditional classic metal purgatory to defend their title of Lead Priest Imitator Supreme.” You just don’t mess with another man’s eagle.
Seer – Vol. 1 & 2 Review
“Consolidating an existing 2015 EP with new material, Vol. 1 & 2 is the debut full-length from Vancouver’s Seer, drawing on the likes of Kyuss in molding their heavy, riffy stoner doom sound. There’s a charming, rustic aesthetic to the music, and their dedication to simplicity is admirable—but this is far from a perfect record.” Well, El Cuervo certainly can’t be accused of burying the lede…
Slægt – Beautiful and Damned Review
Have you ever wondered what it would be like if Jon Nödtviedt decided to put Dissection to rest after the highly-influential Storm of the Lights Bane and decided to join Dark Tranquillity? Yes, I know, total blasphemy, but weirder things have happened. I mean, W.A.S.P. put out a better record last year than Slayer, for crying out loud. Nothing is completely out of the realm of possibility, right?
Naðra – Allir Vegir Til Glötunar Review
“I’m inclined to jump at the opportunity to review any music that surfaces out of the Icelandic metal scene. Their strong talent, adventurous spirit, desire to cross or mix genres and their overall quirkiness usually makes for an exciting listen. That was my expectation with Naðra.” Feel the Icelandic burn!
Mourning Beloveth – Rust and Bone Review
“Given the early buzz around the band (maybe I just had clued-in metal buddies) and their obvious talent this seems pretty strange, especially as several of their less consistent peers enjoyed much greater industry support. But while their output has been of high quality, it has also lacked personality: their early records were a little too indebted to My Dying Bride, and it was only on 2005’s A Murderous Circus that they developed their sound into something less derivative by incorporating hints of the driving Celtic metal style pioneered by Primordial. So is 2016 going to be the year that Mourning Beloveth finally live up to their early potential and take their place among doom metal royalty?” Can Jean-Luc Ricard make it so?
Agoraphobic Nosebleed – Arc EP Review
“My flailing interest in grindcore has been reinvigorated over the past couple of years, due to a handful of excellent bands combining intelligent songcraft with the genre’s typical blasting, white knuckle intensity. So when the opportunity arose to review the latest output from long running grinders Agoraphobic Nosebleed, perpetrators of gleefully brilliant past offerings such as Frozen Corpse Stuffed with Dope, I was stoked for what these drum machine wielding maniacs would have in store for us.” Let the nose run red!
![Batushka – Litourgiya [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2016/01/Batushka-Litourgiya-768x768.jpg)
Batushka – Litourgiya [Things You Might Have Missed 2015]
“Still, even in 2015, when a mysterious black metal band crafts a record that mimics an Eastern Orthodox Divine Liturgy, it’s bound to raise some eyebrows. Especially when the songs are sung in Russian and the band members are Polish.” If that doesn’t pique the curiosity, you’re a person without curiosity to pique.
Evil Drive – The Land of the Dead Review
“Every promo to hit my desk receives an initial listen without the reading of websites, promo sheets, or any such fuel that would result in premature judgment. Sometimes absorbing myself in the artwork or the musical theme of the album transforms a mediocre first-listen into something worthwhile. Other times it does not.” Will such a fair and even-handed approach make Evil Drive a pleasure trip?
Steven Wilson – 4½ Review
“Steven Wilson is one of music’s best producers and, as I ranted and raved last year, quickly becoming one of progressive music’s best songwriters, as well. Hand. Cannot. Erase. was, as I’ve just recently written again, a triumph. However, like all triumphs—yes, all of them—part of honing in on the “triumphant” is knowing when to edit. That doesn’t always mean that what was cut was bad, of course, and 4½ is Steven Wilson and his trusty (and ridiculously talented) backing band knocking out 37 minutes of excellent leftovers.” Yeah, I guess you should probably just expect a lovefest.
