2011

The Project Hate MCMXCIX – Bleeding the New Apocalypse (Cum Victriciis in Manibus Armis) Review

By Angry Metal Guy on February 13, 2011 in 2011, 3.5, Death Metal, Progressive Death, Progressive Metal, Reviews, Season of Mist, Swedish Metal, 11 comments

A few months back I posted something which amounted to me shilling for money for The Project Hate’s new record. What you, as a reader here, probably didn’t know is that at the time I’d never even heard The Project Hate. I was not a fan at all, actually, I just thought the idea was cool and I believe in supporting underground bands doing cool shit and I think that what Lord K Philipson was doing was, in fact, cool as hell. Things, of course, ended up getting worked out and I now have a copy of The Project Hate’s new disc in my possession and it has possibly the longest title ever: Bleeding the New Apocalypse (Cum Victriciis in Manibus Armis). I will not write that again.

Deicide – To Hell With God Review

By Steel Druhm on February 12, 2011 in 2.5, 2011, American Metal, Century Media, Death Metal, Reviews, Death Metal, 9 comments

The evil one is back. Yes, he of the upside down cross branded on his forehead. It’s every one’s favorite Christ hater Glenn Benton and his buddies in Deicide and they bring us album number ten, the unsubtly monikered To Hell With God. Now, I’m all about giving these guys their due props and concede their legendary status in the death metal universe. They, along with Morbid Angel and Obituary put the Florida death metal scene squarely on the map in the 90’s. That said, they’ve been wildly inconsistent in terms of quality studio output. You never know what Deicide is going to show up, the brutal and impressive or the brutally shitty (more often the latter making the appearance). Look no further than their past two releases for proof. 2006’s The Stench of Redemption was monstrous while 2008’s Til Death Do Us Part was a steaming heap of buffalo poo. So where does the new one fall, right or shite? Let’s discuss, then we can Deicide together (sorry, had to be done).

Moonsorrow – Varjoina Kuljemme Kuolleiden Maassa Review

By Angry Metal Guy on February 11, 2011 in 2011, 5.0, Black Metal, Finnish Metal, Folk Metal, Record o' the Month, Reviews, Spinefarm, Viking Metal, Black Metal, Folk Metal, Viking Metal, 21 comments

Moonsorrow is one of the few bands I can think of that no one I know doesn’t like. They seem to unite all fans of underground metal because of their amazing music and authenticity. Let’s face it, a band who writes 15 minute dirges in their native, and arguably alien, tongue doesn’t want for authenticity. Only a few other bands I can think of, like Primordial and Enslaved really have the respect of everyone in what they do. It’s like they’re playing on another plane of existence or something. That, predictably, raises expectations for new Moonsorrow records through the roof (to say the least). But unlike others, Moonsorrow never fails to deliver and Varjoina Kuljemme Kuolleiden Maassa (Like Shadows we Walk through the Land of the Dead) is a monument to what atmospheric black metal should be like and to Moonsorrow’s impeccable legacy.

Shroud of Despondency – Dark Meditations in Monastic Seclusion Review

By Angry Metal Guy on February 10, 2011 in 2011, 4.0, American Metal, Black Metal, Reviews, Unsigned Bands, 0 comments

Some say that the album is dead. And no, by this I don’t mean vinyl, because for all but the biggest audiophiles vinyl really is dead. I mean the album; a set of interconnected songs that form a whole, that induce you to sit and listen to them all and enjoy. Every truly monumental record is one of those kinds of records, one that should make you want to sit down and listen and just feel that swelling in the chest, or whatever you feel when you find something that really hits home. Few live up to this these days and I think there are several reasons for this, though, I’ll save those for another time. But Shroud of Despondency’s Dark Meditations in Monastic Seclusion is one such record, a cohesive whole and a supremely honest offering which, for all its warts, is a tremendous piece of work.

Svart Crown – Witnessing the Fall Review

By Steel Druhm on February 9, 2011 in 2011, 4.0, Black Metal, Death Metal, French Metal, Listenable Records, Reviews, Black Metal, Death Metal, 1 comment

Well, I clearly didn’t see this one coming. Never heard of these guys, expected nothing, popped it in and HOLY SHIT! Insane, claustrophobia inducing, vicious, ugly, hateful blackened death of very high quality blasts you into assdust. Apparently, Witnessing the Fall is the second album by this brutal French unit (it seems weird to say brutal and French in the same sentence). Although I know nothing of their first release, I know this one should be labeled “Break in Case of Apocalypse” because that’s exactly what this reminds me of. Although they inhabit the same stylistic space as black/death acts like Behemoth and Belphegor, Svart Crown generate a gripping, uneasy vibe that the others lack and there’s a real aura of fear and dread generated on certain tracks that takes this to a darker, more disturbed place. One thing is for sure, this thing thing will rip and tear at your brainial areas if you let it (and you should).

Eradication – Dreams of Reality Review

By Steel Druhm on February 8, 2011 in 2011, Death Metal, Deathcore, English Metal, Reviews, Siege of Amida Records, Thrash Metal, Melodic Death Metal, Metalcore, Thrash Metal, 0 comments

This will be a pretty short review and here’s why. I just can’t find all that much to say about these blokes from England. Dreams of Reality is the debut full length by Eradication and they traffic in slick, thrashy melodic death metal with some metalcore elements stirred in (mainly the vocals) and of course, they co-opt the Gothenburg melo-death metal sound and style for all its worth. We’ve all heard this style done about a gazillion times already by any number of good, bad and really shitty bands. Since these guys, although talented, bring nothing new to the long running Gothenburg party, this isn’t the type review that cries out for extended and thoughtful prose.

Korpiklaani – Ukon Wacka Review

By Steel Druhm on February 7, 2011 in 2011, 4.0, Finnish Metal, Folk Metal, Nuclear Blast, Reviews, Folk Metal, Heavy Metal, 10 comments

I’ve always said there can never be enough folka/polka humppa drinking metal from Finland. Go ahead, ask my friends, I’ve always said that! Thankfully Korpiklaani feels much the same way so they keep churning out albums at a highly dependable rate (seven albums in seven years). If you heard any of the previous albums you know what to expect here on Ukon Wacka. If not, imagine a far less serious and way more drunken Finntroll. This is filled to the brim with ridiculously catchy humppa/polka styled folk metal meant to be played whilst hoisting huge frothy mugs of foaming ale. That’s entirely appropriate since Ukon Wacka was an ancient pagan festival where the beer flowed muchly. If such beer soaked party music from 1099 doesn’t sound appealing to you, go home and tell your mom you’re a loser not a boozer.

Abysmal Dawn – Leveling the Plane of Existence Review

By Angry Metal Guy on February 5, 2011 in 2011, 3.0, American Metal, Death Metal, Relapse, Reviews, Death Metal, Technical Death Metal, 2 comments

I’ve been waiting for a long time to get to Abysmal Dawn’s new disc Leveling the Plane of Existence. Having had a 2010 that was sadly devoid of mind-blowing technical death metal (excepting Hour of Penance’s Paradogma), I was really looking forward to a slab of technical death metal mastery that is being sold by Relapse as the savior of American death metal. While I wouldn’t go that far, Abysmal Dawn does offer up some solid technical death metal that is well-played, well-written and full of enough novel ideas and good riffs to make the record enjoyable. And the band has a unique, melodic voice that separates it from the pack.

Macabre – Grim Scary Tales Review

By Angry Metal Guy on February 3, 2011 in 2011, 4.0, American Metal, Death Metal, Hammerheart Records, Reviews, Willowtip, Death Metal, Grind, 2 comments

Macabre probably shouldn’t need any introduction to the majority of readers on this blog, but it’s possible they might. So let’s put it like this… Macabre is pretty much the one of the most underrated and idiosyncratic death metal bands of all time. Or grind. Or, whatever the hell you call them. These guys have been around forever (25 years, apparently) and while they haven’t produced that many full lengths in their existence, they have produced some of the most memorable albums I own. My first introduction to the band came around the time when they released Dahmer, which is their infamous concept album about Jeffrey Dahmer. Yessiree, bob. If you haven’t heard that record you are missing out. But Dahmer isn’t it, 1993’s Sinister Slaughter is another classic which is loaded with amazing tracks, as is 2003’s Murder Metal. But since it’s been about 8 years since the release of Murder Metal, I’d kind of even forgotten that these guys were still around. So what a fantastic surprise when Grim Scary Tales landed in my box. Oh, happy day!

Bullet – Highway Pirates Review

By Steel Druhm on February 2, 2011 in 2011, 3.0, Black Lodge Records, Heavy Metal, Reviews, Swedish Metal, Heavy Metal, 5 comments

Highway Pirates? Well, that album title blows more than the Last Airbender! If I didn’t already know the music of Sweden’s Bullet, I would likely skip over this release based on severe title failure alone. I mean, c’mon, Highway Pirates? Pair that with the painfully cheesy 80s style album cover and these guys are not doing themselves any favors from a strictly promotional standpoint. Thankfully though, I do know Bullet and what they deliver, which is 110% throwback retro metal/hard rock that sounds like a fusion of old AC/DC and old Accept. I was pretty taken with the goofy but infectiously rockin’ charm of their 2008 album Bite the Bullet and little has changed here as far as sound, style or intent. This is simple, neanderthal metal/rock without any attempts to be thoughtful or important in any way. Beer drinking music, drunken weekend music, call it what you will but this is fun and catchy stuff without pretense. Is it original? No. Is it modern? No. Is it good? Yes, yes it is.