2011

Nidingr – Wolf Father Review

Nidingr – Wolf Father Review

When I got this disc last year via Jester Records I missed it. I don’t know why it got shuffled off to the side, or what happened exactly, but for some reason it just didn’t get done in time. In any case, I just recently got wind that they’re readying for the US release so I figured I’d break out the Internet-pen and have at a review of this super group’s (Line-up: bass and guitars: Teloch [1349, Gorgoroth, Ov Hell, Orcustus, Umoral, Konsortium]; bass and guitars (again): Blargh [Gravferd, Dødheimsgard]; vocals: Cpt. Estrella Grasa [Kort Prosess]; and drums: Hellhammer [Immortal, Shining, Thorns, Umoral, Mayhem, Winds, Arcturus]) stab at reclaiming Norwegian black metal glory.

Helrunar – Sol Review

Helrunar – Sol Review

Well, we’re certainly off to a great start for black metal in this shiny new year. First we get a righteously good release from Belphegor and now the unheralded German unit Helrunar erupts from relative obscurity with a double album of masterfully grim, bleak blackness. Yep, you read that right, a DOUBLE ALBUM of massive black metal clocking in at ninety minutes! So, you might be asking, who do they think they are? How dare they release a double album? Well, the short answer is, they’re Helrunar and a whole lot more people are going to know them REAL soon because Sol is going to stamp them firmly on the black metal map.

Crucifyre – Infernal Earthly Divine Review

Crucifyre – Infernal Earthly Divine Review

The late 2000s have seen a resurrection of the old school Swedish death metal that Sweden became so well known for in the underground before the Gothenburg sound took the world by storm. In the last year we’ve had releases by tons of bands waving the flag of true Swedish death metal, and it’s been fun as hell to hear! Crucifyre is another band that is doing something that I would definitely not describe as new, but something I would describe as ultimately ridiculously entertaining and worth a listen if for no other reason than to experience this “all star group’s” vision of the old school.

Shadows’ Grey – Bonjour Tristesse Review

Shadows’ Grey – Bonjour Tristesse Review

You know, if you read this blog all the time you’d probably be getting the impression that I hate female fronted bands who are doing sort of the gothy thing. But that’s not true. It’s actually something I really enjoy when it’s done right! I have no issues with gothic metal, I don’t find the sort of dramatic, over-the-top stuff to be a turn off really. It just needs to be done well, something that it is serially not. And there are varying levels of ‘not done well,’ but let’s say that Shadows’ Grey, the German band formerly known as Scargod who had one EP in 2007, is one degree of the idea.

Woebegone Obscured – Deathstination Review

Woebegone Obscured – Deathstination Review

Doom metal is a sub-genre that gets a lot of flak from orthodox metal fans for being “boring” or “too slow”, even more so for the processionary pace of funeral doom. Enter Denmark’s Woebegone Obscured, self-described as a “blackened funeral doom” band, with their debut full length Deathstination (self-released in 2007 and now re-released by I, Voidhanger records) – a crushingly slow doom album punctuated by high-energy black metal flourishes and a very apparent progressive mentality.

Saeculum Obscurum – Into the Depths of Oblivion Review

Saeculum Obscurum – Into the Depths of Oblivion Review

As you can tell, my resolution for 2011 was to review more obscure and underground music that no one has ever heard of. I want you to know that this means that I am reviewing like everything I get, if it’s possible, and really I’ve had some good luck and some really fucking horrendously terrible luck. I’m going to say that Saeculum Obscurum falls on the good side of the luck barrier. I figured with a name that means “The Dark Age” and a logo by the mighty artist and logo magnate Christophe, this one deserved a fair shake at least.

Defiled – In Crisis Review

Defiled – In Crisis Review

I’ll admit it, I’m a biased motherfucker. When I think of Japan, I think of anime and J Pop and bands like over-the-top shit like X Japan and the crazy clown lookin’ girls, not brutal death metal bands like Defiled. I guess I should have learned this lesson already from bands like Gore Beyond Necropsy and Sigh and others who break against this stereotype in their own way, but no, my bias remains. Though I guess you can really say that Defiled is over-the-top, as they are an excellent, but also very brutal and pretty technical death metal band that is releasing their fourth full length. However, I can say that I was right surprised to get this record since I had no idea it was coming out and it has been 8 years since their Season of Mist debut Divination. But whether or not I had warning, Defiled has put out another ball breaking slab of death metal crushingness.

Silent Stream of Godless Elegy – Návaz Review

Silent Stream of Godless Elegy – Návaz Review

The world of music is so big and this Angry Metal Guy is really so very, very small. This is my excuse for having never listened to Silent Stream of Godless Elegy before receiving this record from Season of Mist. And really, I think I probably should have at least checked them out before. Having formed in 1995 they’ve been playing a variety of folky, doomy metal that, to be honst, I’m surprised wasn’t picked up by Napalm Records back in the day when they were on their kick of picking up every female fronted band ever. But I digress [What? Me digress? – AMG].

Stratovarius – Elysium Review

Stratovarius – Elysium Review

Stratovarius is a name synonymous with European power metal and right up there with Gamma Ray and Helloween. Over the course of their long recording history they’ve created stellar examples of the style and several of their albums reside on my all time power metal playlist (Destiny, Visions, Episodes, Fourth Dimension, Infinite). Along with these past successes, Stratovarius had their share of ups and downs, including their infamous and acrimonious split with founding member/guitarist/chief songwriter Timo Tolkki (Revolution Renaissance). Both before and after this split, Stratovarius released some uneven albums and went through a phase where they indulged in bloated, overly orchestrated symphonic styles and for many long time fans, this was regrettable (Elements Parts I and II). While 2009’s Polaris seemed to right the ship, Elysium shows considerable backsliding toward these past missteps. While still a decent album with some great moments, it fails to rise anywhere near the level of past triumphs and ultimately bogs down amid ponderous pacing and overwrought orchestration.

Belphegor – Blood Magick Necromance Review

Belphegor – Blood Magick Necromance Review

I’m pretty sure loads of people were waiting for this one with baited black breath. Well, the wait is over and Austrian black/death mongers Belphegor have exceeded expectations to unleash a truly monstrous opus of blasting and burning to blight and ravage all the lands. Prepare thyself for one of the more intense, epic and fucking GREAT blackened death metal albums to come around in a while. Taking the best of both the black and death metal genres and stitching them together into a tentacled, writhing mass of gelatinous evil, Belphegor has created one mercilessly heavy yet strangely melodic beast with Blood Magick and Necromance and in the process, eclipsed the entirety of their past works (no easy feat since their previous releases were very good indeed [note: very good (3.5) is indeed the rating I gave Walpurgis Rites: Hexenwahn – AMG). In case it didn’t come across, I love this album!