2018

Hamferð – Támsins likam Review

Hamferð – Támsins likam Review

Hamferð plays a style of doom that is thankfully impervious to serious trendiness. Truly excellent funeral doom is pretty rare, and I have developed a bit of an aversion to the doom genre because my promo inbox is populated by a glut of stoned, raw-water-drinking hipsters trying to play Black Sabbath riffs as though they were interesting and/or novel nearly 50 years after they were first written. But when done well, doom metal can be an intense, beautiful, and crushing genre. And Hamferð does it well.” Welcome the end.

Kayak – Seventeen Review

Kayak – Seventeen Review

“I consider myself fairly well-versed on the subject of 70s prog. I’ve got scores of albums by dozens of bands, and what I don’t have I can usually recognize. So when something comes about that I haven’t heard of (like last year’s Sea Goat record), it’s gotta be for a good reason — like the band not recording anything, or sucking. So here we are with Dutch outfit Kayak, probably spelled backward, and their latest album Seventeen, which I have found out has nothing to do with Kip Winger strutting around partially clothed.” No Winger, no hairpiece!

Corrosion of Conformity – No Cross No Crown Review

Corrosion of Conformity – No Cross No Crown Review

Corrosion of Conformity has a convoluted history, to say the least. Beginning as a hardcore trio in the early ’80s, the band eventually became a five-piece metal band, before promoting guitarist Pepper Keenan to lead vocalist for the landmark Deliverance album in 1994. In recent years, the original three-piece had reconvened without Keenan, starting off strong but eventually running out of steam with 2014’s lackluster IX. By popular demand, No Cross No Crown features Keenan’s return to the fold and is the first album in 18 years to include both him and original drummer Reed Mullin. Can these guys recapture whatever it is that made Deliverance and its follow-up Wiseblood so compelling?” Corrosion will continue until conformity declines.

Cruentator – Ain’t War Hell? Review

Cruentator – Ain’t War Hell? Review

“Today, Cruentator present you with Variations on a Theme: the Kreator riff. That’s what the promo bin listing for Ain’t War Hell? promised, and for the most part, what it delivers. Ripping off acts is in vogue nowadays, and while Cruentator stop short of lifting Kreator’s riffs completely, it is for no lack of trying. Hell, that sort of thing can actually land you on top ten lists nowadays.” A Kreator in hand beats 2 Cruentators in the bush.

White Wizzard – Infernal Overdrive Review

White Wizzard – Infernal Overdrive Review

“2018: A new year bringing new experiences and opportunities. It’s a personal reset and we all get a pristine clean slate…and the same sweaty, unclean man back that plagued us throughout 2017. The more things change, the more they stay the same. Into this dichotomous environ journeys our intrepid Steel Druhm, eyes glistening with the ghosts of AMG’s past as he comes to grips with the site’s Great White Albatross.” Ear today, gone tomorrow.

Yer Metal Is Olde: Zao – Where Blood and Fire Bring Rest

Yer Metal Is Olde: Zao – Where Blood and Fire Bring Rest

“Let’s just say you’re in a hardcore band with a niche-but-loyal audience. You just completed a major festival, embarked on a fairly successful US tour, and you’re about to write your next album when your bandmates decide, ‘Hey, you know what? I’m giving up music for the ministry.’ Folks, that’s what happened in 1997, to Jesse Smith, (now former) drummer for (then-)Virginia’s Christian hardcore outfit, Zao.” Cross-core and more.

Shining – X – Varg utan flock Review

Shining – X – Varg utan flock Review

Shining is remarkably long-lived if one considers mainman Niklas Kvarforth’s admonitions that everyone should commit suicide. Twenty years into Shining’s career, Varg utan flock (Wolf without [a] Pack) marks the band’s 10th full length, and first since 2014. I have been holding out hope that Shining will regain the form of their earliest masterpieces, but since 2011 that field has been fallow. It’s tough to live up to records like Halmstad—one of the best albums of the 2000s—and Född förlorare. Those albums were excellent, memorable, and loaded with great writing and riffs. But starting in 2012, Shining/Kvarforth made a lot of noise about change. This was particularly present on 2012’s Redefining Darkness and even, to an extent, on IX: Everyone, Everything, Everywhere, Ends. The reasons for this are unclear—it could simply be that Kvarforth was bored—but the “redefinition” meant English lyrics in 2012, and a significant lack of intensity in 2015. So, you’ll forgive me if I approached X: Varg utan flock with some hesitancy.” In the darkness, a ray of deeper darkness.

Summoning – With Doom We Come Review

Summoning – With Doom We Come Review

“If I were tasked with appointing one artist as head of a guild of Tolkien-inspired musicians, Summoning would be my number one pick with a bullet. That’s not just because Protector and Silenius have been churning out reliably high quality material for over two decades. As an act that pays tribute to a man who created a fantasy realm so intricately as to craft entirely new languages for it, Summoning has always been similarly ambitious, spawning a musical language as beautiful as it is unique, as if it were forged from cultures that couldn’t possibly exist in our own realm.” Ring in the new year!