“Metal-Fi? One has got to wonder if the serious lack of updates on the site is because of these issues or are they in fact the root cause? I honestly don’t know. Certainly, neither Dave nor I could have possibly foreseen that our unannounced hiatus last year would kick off Ragnarök. But unfortunately, that’s what all of the facts seem to indicate. Our bad.” Deaf and taxes.
Alcest
Constellatia – The Language of Limbs Review
“Formed in Cape Town just over a year ago, Constellatia is the collaborative brainchild of Gideon Lamprecht and Keenan Oakes, founders of South African bands Crow Black Sky and Wildernessking, respectively. After a mere fourteen months together, Constellatia is ready to release The Language of Limbs, their debut album.” Language lessons.
Alcest – Spiritual Instinct Review
“Throughout their career as Alcest and helped by gradual fluctuations in style, French multi-instrumentalist Neige and drummer Winterhalter have been cultivating a deep sense of beauty and unfiltered sentiment. An exploration of sonic poetry in the vein of The Lake Poets, unmistakably filled with a romantic ache, a longing, and an expression of beauty and infatuation with the world so deep it hurts. Looking back at their previous work, Spiritual Instinct appears as one of the purest manifestations of this search.” Let the spirit guide.
Angry Metal Primer – Alcest
An Alcest primer and and a random picks playlist? What more could you ask for on a Sunday? Nothing. You can ask for nothing more.
Falls of Rauros – Patterns in Mythology Review
“A wild Muppet appears! Maine is about as renowned for its black metal as it is for anything else that isn’t lobsters, blueberries, or Stephen King, and I’ll be damned if I’m gonna trust my homelands trvest export alone with Arizonan Ne’er-do-well Grier; I’m worried that his review isn’t biased enough, yo. There’s also the tiniest, itsiest little bit ov a possibility that alcohol and boredom coaxed me into challenging the Assumed Non-doctrinaire to a medieval weapons duel for the reviewing rights.” Fight for the Falls.
All Hell – The Witch’s Grail Review
“Comfort food. Whether you’re a cuisine snob who frequents Michelin-star restaurants or an amateur cook trying new recipes for the family, odds are that there are times when you don’t want anything too fancy. Food you can fall back on that hits all the right spots without being too challenging or demanding. Mac and cheese, if you’re like me. The kind of blackened thrash that North Carolina’s All Hell produces is my musical equivalent of comfort food. It’s not mind-bending in its complexity (like, say, Dodecahedron) or emotionally demanding (lookin’ at you, Bell Witch and Ataraxie). But when you’ve had a bad day at the office, or life’s getting you down with its quotidian mundanity, All Hell and their ilk are there to get put a contented smile on your face while those neck muscles flex in appreciation.” Feel the Hell.
Spotlights – Love & Decay Review
“The songs on Love & Decay are post-metal in structure with moments of sludge/doom heft, but damn it if Spotlights don’t frequently sound like My Bloody Valentine started down tuning their guitars and forgot to stop. Or like a much heavier Starflyer 59 back when they were accused of being a My Bloody Valentine knock-off. If you’re not following, take a break and go listen to Loveless. We’ll still be here when you get back.” Up in lights.
Violet Cold – kOsmik Review
“It has been described as the world’s most succinct word: “Mamihlapinatapai.” From the near-extinct Yaghan language, it means, “A look shared by two people, each wishing that the other would initiate something that they both desire, but which neither wants to begin.” It also happens to be the name of one of the songs on Violet Cold’s new album, kOsmik. If you look at the philosophy of Violet Cold, the one-man post-black metal project of the prodigiously talented, and prolific Emin Guliyev from Azerbaijan, this word seems to sum it up perfectly.”
Architects of Aeon – Koloss Review
“As a metal reviewer, I, every so often, have to describe the music I’m hearing. Using complex vocabulary, a plethora of unnecessary adjectives, and textures as real as your blind uncle’s toilet seat, I force you to feel, hear, and taste the album I’m reviewing. If you think that’s easy, you’re wrong. ‘Tis hard. Thankfully, for all you, I’m the master of my domain.” Touch nothing, hear everything.
Falaise – A Place I Don’t Belong To Review
“Stagnation is an ugly thing. Waters, once teeming with life, become rancid without a flow of movement. It’s also been said that once we stop learning, we should effectively be dead. If we retread familiar soundscapes, eat the same damn foods all the time, and generally never leave that comfortable, insular bubble that we willingly trap ourselves in on a day-to-day basis, are we really growing? Have we gotten so used to where we are, as individuals and as a society, that eventual growth is not only impossible, but also not desirable?” Glazed with shoegaze.