Beaten To Death

Otoboke Beaver – Itekoma Hits [Things You Might Have Missed 2019]

Otoboke Beaver – Itekoma Hits [Things You Might Have Missed 2019]

“As long as it’s good, gives us reviewers joyous vibes, and is kinda sorta somewhat within proximity of our wheelhouse, we’ll give it a fair shake and coverage. Kyoto’s Otoboke Beaver‘s debut full-length, Itekoma Hits, is several miles away from our particular wheelhouse, but we see them, cheerfully smiling and waving while screaming, delivering some absolutely apeshit bonkers music that veers from pop-punk to hardcore to surf music to practically everywhere else and in-between.” It’s not metal, but then again, neither are you.

Beaten to Death – Agronomicon Review

Beaten to Death – Agronomicon Review

“The Norwegians’ 2015 masterclass Unplugged earned every bit of praise it received as it ruined thousands of scoliosis patients’ dreams of reaching the top shelf. I’ll say it up front: fourth record Agronomicon doesn’t top it, doesn’t even try. But don’t you dare to call it inferior; if anything, Agronomicon testifies to Beaten to Death‘s staying power as a force in the grind scene.” The list beating goes on and on.

Yer Metal Is Olde: Brutal Truth – Extreme Conditions Demand Extreme Responses

Yer Metal Is Olde: Brutal Truth – Extreme Conditions Demand Extreme Responses

“Formed in 1990 by prolific bass-slinging band whore Dan Lilker (Anthrax, Nuclear Assault, Blurring, Venomous Concept, S.O.D. & many others), New York’s Brutal Truth threw their hats into the grind ring and captured lightning in a bottle with their phenomenal 1992 debut, Extreme Conditions Demand Extreme Responses; a dead-set grind classic, now certified as an olde motherfucker. There’s something special about Brutal Truth’s underappreciated debut that sets it apart from pretty much any other grind album I’ve experienced.” The ugly truth.

Leprous – Malina Review

Leprous – Malina Review

Leprous is one of Norway’s finest acts and one of the excellent stable of modern prog bands that we have covered here at AMG in the last 5 or 6 years. In recent times, their profile has risen as their singular approach to progressive metal has inspired high praise from myself, Kronos, and the metal world at large.” When a rare double review arrives, it means the staff has been a beefin’.

AngryMetalGuy.com’s Top 10(ish) of 2015: Aggregating the Lists to Create MOAR Lists!

AngryMetalGuy.com’s Top 10(ish) of 2015: Aggregating the Lists to Create MOAR Lists!

“Last year our very own El Cuervo started rating a consensus list based on the releases that were mentioned in various lists. Giving each release a score, we then tally the point totals for each release. Each of our unique lists has a number of releases that simply come nowhere close to the top list. But it’s cool to see that we do actually seem to rally around a few great releases and some releases that I am a little bit more shocked to see. Regardless, this final “meta-list” will round off the year of AngryMetalGuy.com’s list season.” Lists, man.

Angry Metal Guy’s Top 10(ish) of 2015

Angry Metal Guy’s Top 10(ish) of 2015

Twenty-fifteen has been a hell of a ride. It’s been one of my favorite years for music in quite a long time, and I’ve been struggling to prune this list down to 10(ish) records that I really love. But in some ways, the top 5 has never been easier for me to choose. What I find most fascinating about this list is how completely out of step I feel with what I see as being touted as the coolest parts of the underground. I seem to be pretty far afield while everyone else seems to be fawning over the latest ’70s retro doom phenomenon, hope drones, or the latest example of black metal kids missing that intensity not 15 minute songs was the cool part of black metal. This is what it feels like to have been left behind by a scene; to have lived long enough to be that old guy shaking his fist at new trends in metal.