“On their debut American Scrap, Chicago quartet Huntsmen blend Americana with a progressive take on searing sludge metal. But can they do justice to the self-proclaimed Greatest Country in the World?” Born in the U.S.A..
Bob Dylan
La Chinga – Freewheelin’ Review
“Every once in awhile it’s fun to shuffle through the promo pile in search of an album that explores the good ole days of rock—and by “good ole days,” I mean old-man Steely D days. Even when it’s done shittily, the outcome triggers special memories of sitting around listening to the godfathers of heavy metal and hard rock on shiny black “frisbees” (as we use to call them).” The olde ways are back in vogue (not vogueing though).
Band of Spice – Economic Dancers Review
“Talk about discombobulating! Have you ever wondered what would happen if Spiritual Beggers (specifically the Christian “Spice” Sjöstrand era) came across a Magic 8 Ball, a Time-Out Machine (T.O.M) and a little vial of liquid black rock, and after much consultation with the 8 Ball decided to don their headbands and flared jeans and jump back to the 70s to hang out and jam with Led Zep?” Hot Tub Time Out Machine?
Barn Burner – Bangers Review
I don’t know about you, but when I think about classic rock I think about vocalists. Guys like Steve Perry, Steven Tyler, Robert Plant, Geddy Lee. You know, big voices, amazing melodies, and sure while you might not like every single person there, you appreciate what they offered in the sense of their huge influence and their technical skill. Hell, even look at early metal vocalists, guys like Paul Di’Anno, Rob Halford and Bruce Dickinson were all very different stylistically, but had gripping melodies, great presence and pushed forward with their sounds. So what fascinates me is that any band with sort of a classic rock influence and approach would ever select a vocalist with a 4 note range.. but I have now encountered it on Barn Burner’s Bangers.
