Metal Blade

Assaulter – Boundless Review

By Steel Druhm on March 11, 2011 in 2011, 4.0, Australian Metal, Black Metal, Metal Blade, Reviews, Thrash Metal, Black Metal, Thrash Metal, 1 comment

An extreme metal super-group from down under? Intriguing eh mates? Assaulter is a slightly blackened thrash band featuring S. Berserker, formerly of Destroyer 666 on guitar, bass and vocals and Peter Hunt, formerly of Razor of Occam on drums. For the Australian extreme metal scene that’s pretty super indeed. Boundless is their second album under this moniker and it’s a hefty slice of good old fashioned thrashing lunacy with enough black metal and Middle Eastern influences to make them stand out from the likes of Legion of the Damned and their modern thrash brethren. After never hearing of these guys before, this impressed me enough that I felt compelled to track down the debut as well and I feel on solid ground saying they’re onto something here sound wise. It’s not reinventing the blackened thrash wheel or doing anything truly revolutionary but this is still some solidly ugly, brutal stuff and well executed at that.

Lazarus A.D. – Black Rivers Flow Review

By Steel Druhm on January 28, 2011 in 1.5, 2011, American Metal, Heavy Metal, Metal Blade, Reviews, Thrash Metal, Metalcore, Thrash Metal, 6 comments

There are plenty of myths that sane folks know to be false like Bigfoot, the Loch Ness Monster and honest politicians. However, one should never count the sophomore slump among those fairy tales and urban legends, for it is very real and very painful to behold. Exhibit A for 2011 is Lazarus A.D. who had a decent if not remarkable debut with 2009’s The Onslaught. Many seemed to lump them in with the retro-thrash revival and while there was some Exodus aping to be sure, they always sounded more metalcore-ish to my ears. Although I hate metalcore like I hate taxes, there was enough aggression, energy and nods to the old school throughout The Onslaught to make it semi-palatable and I didn’t totally hate it. Well, there is simply no digesting their second platter Black Rivers Flow, as Lazarus A.D. have firmly embraced their inner mall kid and all things Shadow’s Fall and the result is a veritable black river of crappy, overused grooves, tough guy posturing and general mediocrity.

Thomas Giles – Pulse Review

By Angry Metal Guy on January 26, 2011 in 2011, 4.5, Metal Blade, Progressive Metal, Reviews, Electronica, Progressive Metal, 3 comments

Oh man, the Internetz are abuzz with love for this record already. Apparently everyone and their dog who runs a review website got this album 3 months ago and has been subsequently shitting themselves over the awesome!!!! that is Thomas Giles’ Pulse. A bit of background information as to why that might be. Yeah, because this is the vocalist from Between the Buried and Me. Yup. That’s it. I want to state with all certainty that if this were an independent record put out by a dude actually named Thomas Giles who wasn’t in a band that was well-respected even though being associated with a scene that everyone hates, this record would not be listened to by metal guys or reviewed on a metal website. Because this record is not metal. It contains minor bits o’ metal, but it for the large part a progressive-indie-electronica record. So be forewarned.

The Ocean – Anthropocentric Review

By Angry Metal Guy on November 22, 2010 in 2.5, 2010, Eurocore, German Metal, Metal Blade, Progressive Metal, Reviews, Sludge, Hardcore, Post-Hardcore, Sludge, 5 comments

gotta say up front that I am not a big fan of sludge, I mean, you should be forewarned of this. So when I first heard The Ocean’s controversial (and apparently much hated) opus Heliocentric I was really happy about it. It was way more shoegaze or post-hardcore than it was sludge or anything really coming near to it. Short on the hardcore and tall on the clean vocals, I was impressed. I gave it a 4.5/5.0 and I stand by that (in spite of the incessant whining of jilted fans). So I was pretty interested to take a listen to the follow-up Anthropocentric. And my worst fears were confirmed: they pulled an Opeth. Soft record. Heavy record. Blech. Anyone else ever notice that this never works?

Cataract – Killing the Eternal Review

By Steel Druhm on October 4, 2010 in 2.5, 2010, Metal Blade, Metalcore, Reviews, Thrash Metal, Metalcore, 2 comments

What the hell is THIS? A metal-core band I actually like? Impossible! Well, like may be too strong a word here but Killing the Eternal, the sixth album by Swiss metal-core mavens Cataract is much less annoying and cringe inducing than most of the metal-core I’ve been subjected to over time. Perhaps this caught me in a rare moment of good humor, or maybe Cataract have learned over their long existence that their bread is buttered on the death/thrash side of things. One thing is for certain, Cataract manage to avoid many trappings of the classic “core” sound that I find so irritating, and as a result, this is a fairly tolerable, and at times, even enjoyable album.

Nightfall – Astron Black and the Thirty Tyrants Review

By Steel Druhm on September 23, 2010 in 2010, 4.0, Avante Garde, Metal Blade, Reviews, Gothic Metal, 4 comments

Now here’s a bird of a different color and what an odd duck it is! Astron Black and the Thirty Tyrants (a grand title) is the eighth platter from long running Greek black/death/doom/gothic/kitchensink act Nightfall. Along with their better known contemporaries Rotting Christ and Septic Flesh, these Spartans have evolved, devolved and transmogrified into different animals over their long existence and their current incarnation is very interesting indeed. Although they defy easy categorization, the focus lies somewhere between black and gothic metal but with traces of everything else tossed in with reckless abandon. The end product is at times confusing, pretty damn cool and not really like anything else out there right now.

King of Asgard – Fi’mbulvintr Review

By Angry Metal Guy on September 20, 2010 in 2010, 3.0, Black Metal, Death Metal, Folk Metal, Metal Blade, Reviews, Swedish Metal, Folk Metal, Melodic Black Metal, Melodic Death Metal, Viking Metal, 1 comment

Few names rate as highly among fans of “viking metal” and melodic death metal as the classic Swedish act Mithotyn, which sadly went defunct in 1999 after three excellent full lengths (In the Sign of the Ravens, King of the Distant Forest and Gathered Around the Oaken Table, all of which come highly recommended). Since then, they have gained a near cult status as one of the leaders in the genre and one of the best to ever touch the folk-viking metal legacy. For fans of the band, or at least for this fan of the band, Falconer was never an appropriate replacement for what was a unique and fresh band that went sadly under the radar during their tenure. So you can imagine my excitement upon receiving a copy of Fi’mbulvintr (which, btw, shouldn’t this be FÃmbulvintr?), from the new incarnation containing the former guitarist from Mithotyn as well as the band’s drummer.

Whitechapel – A New Era of Corruption Review

By Angry Metal Guy on June 7, 2010 in 2010, 3.5, American Metal, Deathcore, Metal Blade, Metalcore, Reviews, Deathcore, 1 comment

At the center of every shitty, irritating trend made up of forgettable, annoying bands is usually a core (no pun intended) of interesting bands that aren’t shitty and that do the music with conviction and may have even been on the front end of the whole trend. The Gothenburg sound had At The Gates and In Flames which have been imitated thousands of times. Metalcore (incidentally which is ripping off At The Gates and In Flames) had Unearth (who had one really great album before they got signed to Metal Blade). As far as I can tell Whitechapel is one such band. I have never listened to them, having been pretty much turned off of any band labeled deathcore because of a slough of shitty fucking bands that have been passed off in my direction (see the “related reviews”, I’m sure you’ll see how I feel about the genre/trend).

Diabulus in Musica – Secrets Review

By Angry Metal Guy on June 4, 2010 in 2.0, 2010, Metal Blade, Power Metal, Reviews, Death Metal, Gothic Metal, 1 comment

Diabulus in Musica is a band that you’ve heard before dozens of times in different forms. There was a while when like every single band on Napalm Records sounded like them, but it is not a sound that is terribly popular in the year 2010. So while the band could be commended for releasing an album that sounds like Theatre of Tragedy or Epica in 2010 because they’re bucking the trend and doing their own thing, they could also be heavily criticized for sounding exactly like Theatre of Tragedy or Epica (more the latter than the former). I’m sure that the members of Diabulus in Musica are sick of being compared to Theatre of Tragedy and Epica, if they’re sick of that they should probably not read this review, because I am about to launch into a 500 word diatribe about how there has to be something new that can be done with the chick in a metal band thing, but that no one seems to be doing it.

Fatal Embrace – The Empires of Inhumanity Review

By Steel Druhm on June 3, 2010 in 2010, 3.0, Metal Blade, Power Metal, Reviews, Thrash Metal, Thrash Metal, 0 comments

Trends often start off with a good idea or at least a respectable inspiration. However, through imitation and copying, that original idea becomes a trend and the trend gets boring, overdone and ultimately becomes a joke. The retro 80’s power metal trend is in full bloom and many would say the 80’s retro thrash movement has been overdone for years already. As someone who grew up in the 80’s metal era, I may possess more tolerance for this whole “retro” thing since it does this old heart good to hear a quality metal album that truly captures the sound, energy and spirit of a time long gone. Therefore, my review of The Empires of Inhumanity, the new release by German thrashers Fatal Embrace will be more charitable than what it would have received from other angry metal guys. In all fairness, these Teutonic shredders have been around since 1993 so they could rightfully be considered part of the original thrash movement rather than a retro band. Either way though, over four albums Fatal Embrace have demonstrated an unwavering dedication to the 80’s thrash style of Slayer and Sodom while foregoing all modern styles and current trends completely.