Nov19

Fuil Na Seanchoille – The Crossing Review

By Doom_et_Al on November 28, 2019 in 2019, Black Metal, Irish Metal, Me Saco Un Ojo Records, Reviews, Tour de Garde, Atmospheric Black Metal, Black Metal, 23 comments

“Single-song albums. The reason Holdeneye and Twelve no longer speak. The reason there’s still a bloodstain in the copy room after Diabolus went after El Cuervo for suggesting that Winter’s Gate ‘Isn’t really a single song, is it? I mean… not really…’ Ya see, the very idea is divisive. But it’s also philosophically interesting. What makes a song? A unifying idea or theme? If parts of a song are so different as to be unrecognizable, have you not just chewing-gummed two songs together? In this era of instant gratification, where listeners have goldfish-like attention spans, are these epic tracks justified? Or just a needlessly pretentious gimmick?” Long did the wind blow.

Lord Mantis – Universal Death Church Review

By Cherd on November 27, 2019 in 2019, American Metal, Black Metal, Noise, Profound Lore Records, Reviews, Sludge, Black Metal, Noise, Sludge, 21 comments

You would think after ten years of existence and an ever increasing stable of writers seeking out the new and the good, that there wouldn’t be any notable metal bands left who haven’t been reviewed on AMG. I suppose it’s a testament to the sheer volume of the metalverse that this isn’t true. I was shocked when I realized that Akerblogger‘s review of Thou’s 2018 release Magus was our first time covering one of the most prolific American metal bands of the last 15 years. Equally great was my disbelief when I found that no writer before me had squatter’s rights to Universal Death Church, the first full-length in five years by Chicago’s blackened sludge veterans Lord Mantis.” Always room for one more.

Cattle Decapitation – Death Atlas Review

By Kronos on November 27, 2019 in 2019, American Metal, Black Metal, Death Metal, Grind, Melodic Black Metal, Metal Blade, Reviews, Black Metal, Death Metal, Melodic Black Metal, 124 comments

“The band are an institution and an interesting force in extreme metal for both their singular creativity and unflinchingly progressive politics in a genre dominated by derivation and incoherent edgelord lyricism. As I said in my review of The Anthropocene Extinction, Cattle Decapitation are just fucking cool.” Meat and greet.

Bednja – Doline Su Ostale Iza Nas Review

By Carcharodon on November 27, 2019 in 2019, Black Metal, Croatian Metal, Folk, Hardcore, Post-metal, Reviews, Transcending Obscurity, Black Metal, Hardcore, Post-Metal, 24 comments

“Beneath each review posted on this hallowed website, a little comment swamp forms. They vary in size and depravity but in nearly everyone, a debate of some kind ensues. The other day, in just such a swamp, I expressed the — perhaps controversial — view that I like it when black metal bands infuse their music with different influences, sometimes straying into different genres. There I gave examples of post-metal and prog. Well, step forward and take a bow Bednja, who bill themselves as black metal hardcore.” Tales from the hard (dark)side.

Teeth – The Curse of Entropy Review

By GardensTale on November 26, 2019 in 2019, American Metal, Death Metal, Grind, Reviews, Translation Loss, Death Metal, 35 comments

“Chomping, gnawing, biting, gnashing, grinding, tearing. These are all things teeth can do. They are also things Teeth can do. As a proudly unbrutal prog weenie, The Curse of Entropy by the Californian brutal deathgrind band was a decidedly adventurous selection for yours truly. Perhaps this was a mistake. Perhaps I should have left this to others more thoroughly versed in brutality, like Kronos or Ferrous. Perhaps if I had left Teeth where it lay, I would still have my own teeth, rather than having them scattered across the floor.” Dental health.

Öxxö Xööx – Ÿ Review

By El Cuervo on November 26, 2019 in 2019, Avante Garde, Blood Music, Doom Metal, French Metal, Gothic Metal, Reviews, Doom Metal, Gothic Metal, 31 comments

“To begin, Öxxö Xööx sits most comfortably under the doom metal umbrella, tending towards (but not exclusively using) slower rhythms and riffs, and leveraging gothic instrumentation such as organs, harpsichords and string sections. But Ÿ is far from any ordinary doom release with which you may be familiar. It’s a distinctly singular release, a patchwork of textures, timbres and tempos with the words “AVANT GARDE” metaphorically stitched over the top.” Ÿ no Igorrlips mumblepants.

Avslut – Tyranni Review

By Mark Z. on November 25, 2019 in 2019, Black Metal, Osmose Productions, Reviews, Swedish Metal, Black Metal, 17 comments

“I don’t like black metal. Not in its traditional form, anyway. Give some blakkened fukkin thrash or blakkened fukkin death and I’ll bang my head till my skull cracks open, but usually traditional black metal just leaves me shrugging. Often the riffs feel secondary to the atmosphere and it’s telling that a band like Mgla could get as big as they did with a shtick that was essentially “we play black metal, but with riffs you actually care about.” Of course, there are always exceptions. Swedish quintet Avslut earned some acclaim on forums I frequent with their 2018 debut Deceptis, which I enjoyed for its ability to work clever riffing into a traditional black metal template.” Riff tiff.

Bull Elephant – Bull Elephant Review

By Huck N Roll on November 25, 2019 in 2019, British Metal, Death Metal, Doom Metal, Eat Lead and Die Music, Progressive Metal, Reviews, Thrash Metal, Death Metal, Doom Metal, Progressive Metal, Sludge Metal, Thrash Metal, 27 comments

“A concept album about a re-animated African elephant, performed in a progressive doom style? Yes, please! This is the story of some Nazi dude who wants to bring an elephant back from the dead as a new weapon, but in a Lovecraftian twist, a shaman witch gets in the way. Not only is the concept fun, but Bull Elephant insist on remaining an anonymous collective.” Mess with the bull, you get the Huck.

Coronatus – The Eminence of Nature Review

By Emya on November 25, 2019 in 2019, German Metal, Massacre Records, Reviews, Symphonic Metal, Symphonic Metal, 18 comments

“The Eminence of Nature is Coronatus’ ninth studio album. Before claiming this album as my own for review, I performed my usual quick search on the AMG site to see which one of my coworkers was historically responsible for dishing out either love or distaste in response to Coronatus’ eight other albums. Had to be either Twelve or TheKenWord given their public and overzealous love of the cheesiest of the symphonic metals. I was pleasantly surprised to see “No results for ‘Coronatus’ Try another search?” pop up on my screen. Eight albums and not one was covered by AMG?!” Bad omens.

Slow – VI – Dantalion Review

By Master of Muppets on November 24, 2019 in 2019, Aural Music, Belgian Metal, Doom Metal, Reviews, Doom Metal, Funeral Doom, 36 comments

“An indifferent moon silently presides over an ocean bejeweled with the shimmering ghosts of stars, witness to all and concerned with none. The air is alive with salt and sea breeze, the water as clear and cold as the uncompromising truth that is mortality. You, of course, are aware of precisely none of these things, nor of anything else aside from your own clear, cold reality: You’re fucking drowning, yo. Waxen, hypoxic skin and waterlogged lungs are all that you are here, a stifled testimony of abject self defeat and an inconsequential offering to no one; defeated, drowning… dead. This is what the darkest shades of depression feel like, a perpetually cold and helpless state of being on the wrong side of a near death moment as the world around you spins on, unaffected and insouciant. VI – Dantalion is the soundtrack to such a self-sustained drowning.” Deep waters.