“Caïna certainly aren’t your typical black metal band, they’re not Norwegian, Swedish, American or French as you would expect. In fact, Caïna is the labor of heartache by Englishman Andrew Curtis-Brignell and his band’s discography is all over the map.” Constantly changing and mutating, this act is very hard to pin down. But Madam X has many pins and a will to win.
Post-Metal
Sans Soleil – A Holy Land Beneath A Godless Sky Review
“How often do you think of an instrumental band that substitutes that wishful vocalist with the swooning leads of a viola? My guess is never. You never think of that. Well, the masterminds behind Sans Soleil thought about it for you.” My mom always says “if you have a viola, you have everything.”
Things You Might Have Missed 2014: Onheil – Storm Is Coming
“Being the metal fan that you are, I can only assume you’ve had that late-night trip to the record store, hell-bent on purchasing a new album. It doesn’t even matter what album. However, tonight it turns out your favorite record store doesn’t have shit in the way of metal. Either you own it or don’t want it. So you base your purchasing decision on close examination of the “fans of blah blah blah” labels, the artwork, and the band name itself. You finally come across an album just released that week and buy it knowing there’s the possibility for one-of-three outcomes.” Buying blind, oh the thrill!
Fen – Carrion Skies Review
“Here at Angry Metal Guy US headquarters, subtle signs point to 2014 drawing to a blustery close. My very metal cats watch the crackling fireplace, mesmerized as the world burns at their paws. Top 10 lists hastily scrawled on the backs of store receipts and the margins of the daily paper are pulled from coat pockets and tossed carelessly about, littering every surface. And as the holiday silly season approaches, I’m winding down, bourbon in hand, returning to the contemplative atmosphere of post-metal and avant guard favourites like Agalloch, A Forest of Stars, Anathema, Horseback and New Keepers of the Watertowers. Now a year and some change after the release of Dustwalker, British progressive black metallers – Fen recapture my attention with their fourth full-length release.” Post black metal just in time for the long winter months? Now you’re screaming Madam X’s song.
Beak – Let Time Begin Review
“Post-metal has had a lot going for it in the past year. If you count it, The Ocean’s Pelagial was a remarkable work of art, as beautiful as it was heavy. Cult of Luna returned with the monstrous Vertikal last year and even gave fans more music with Vertikal II, the companion EP. And to add to it, Rosetta gave The Anaesthete to the world via Bandcamp, essentially for free. It’s a great time for post-metal…” Can Beak keep the post-metal golden age rolling or are the good times all over?
Myrkur – Myrkur Review
“The old PR hype machine has been cranking out the pre-release superlatives and playing up the mystery surrounding the debut EP from Scandinavian one woman black metal project Myrkur. Typical of male dominance in the metal community, the gender novelty has been thrown around, however it’s the identity of this apparently Danish born artist that has raised much speculation and underground sleuthing from dedicated metalheads.” We love a mystery here at AMG, and this one is a riddle wrapped in an enigma and coated with Scandinavian ice.
Kronos Comments: On Sampling Bias and the Seedy Underbelly of the Australian Metal Scene
“Just about every day, Angry Metal Guy pushes out a review of an upcoming or recently released album, producing press for the album whether we love it or hate it. It exposes readers to a lot of material, but disadvantages artists who aren’t putting out music at any given time. Given a small temporal window, this creates a very biased sample of the music scene. I love reviewing albums, but a lot of great and criminally overlooked bands are in between releases right now, and it kills me to see their hard work go unseen. So in order to rectify their invisibility, they’re being talked about here, where my shitty opinions have the outsized soapbox needed to fling themselves out onto the populace like fetid water from a fire sprinkler.”
Sorxe – Surrounded By Shadows Review
“The very idea of being a musical conduit is intriguing. A lot can be said about people who, instead of hopping on fading bandwagons or changing themselves to create some kind of spark that may or may not keep them relevant, decide to follow their dormant spirits and let them guide their fingers, feet, and voices to craft something that is truly their own. Forget about trends, man; it’s about the feeling of those spirits. That feeling is fucking celestial.” People who deny the existence of spirits may be spirits themselves.
Sólstafir – Ótta Review
“Ótta consists of 8 tracks, beginning with a representation of midnight, moving through each Eyktir in the day, coming to a steady close at what would be representative of between 9 pm and midnight. Hardly a riveting concept I grant you, but thought provoking nonetheless.” Usually it takes lots of SepticFlesh and blood to make Madam X swoon, but Sólstafir’s blend of heathenish melodic, melancholic post-metal and bizarre alternative rock seems to have done the trick in a big way!
Chasma – Omega Theorian Review
“Portland, Oregon seems the home of the wistful, the home of somber, shifting post-metal with a blackened bejeweled heart. Not too long ago we heard from Agalloch (with a sobering attempt at creating infinity in The Serpent & The Sphere) and now hot on the heels of 2013’s Codex Constellatia, Chasma return with their third full-length release. I’m a slacker and while I can remember seeing the blood red adorned Codex Constellatia hit the promo bin, it’s release date came and went and got lost in the metal mire. Omega Theorian was a little more persistent in succeeding where the earlier release didn’t.” Whenever someone mentions Agalloch in a review intro, I feel the need to read on.