British Metal

Unfathomable Ruination – Enraged and Unbound Review

By Kronos on November 19, 2019 in 2019, British Metal, Death Metal, Reviews, Technical Death Metal, Willowtip, Death Metal, Technical Death Metal, 66 comments

“Death metal is not a subtle art. Brutal death metal doubly so. Brutal, technical… well you get the point. Unfathomable Ruination exemplify this dearth of subtlety in name but belie it in their music. Their sophomore effort, Finitude, stands as one of the decade’s most punishing yet memorable death metal albums, punctuating each of its songs with a constricting riff or winding lead that seared it instantly into the mind. A great deal of the album’s success came from the band’s shrewd dispensation of show-stoppers, always releasing just enough brilliance to keep the listener wanting more. Apparently unwilling to rest on their laurels, Enraged and Unbound lives up to its predecessor’s unpredictable brutality.” Ruination as hobby.

The Drowning – The Radiant Dark Review and Album Premiere

By Kenstrosity on November 5, 2019 in 2019, British Metal, Death Metal, Doom Metal, Reviews, Transcending Obscurity, Death Doom, Death Metal, Doom Metal, Funeral Doom, 132 comments

“Since we got ourselves into the whole album premiere business not too long ago, I wondered what kind of album it would take to warrant a premiere of my own. Shockingly, I didn’t have to wait very long. Thanks to a certain Muppety influence, I ~~acquired~~ was deemed just barely worthy of access to a monumental death-doom album that very quickly rose to the top of my year-end contenders list. Imagine my sadistic ecstasy as I rushed to resuscitate The Drowning from the promo pool, only to discover that one sparkly sponge absorbed the Assign To bubble weeks beforehand. Joy Accordia! I’ll not be forgiven for this, not for an eternity.” Drinking deeply of despair.

Byzanthian Neckbeard – Minaton Review

By Cherd on October 30, 2019 in 2019, British Metal, Death Metal, Doom Metal, Reviews, Self-released, Sludge, Stoner Metal, Death Doom, Death Metal, Doom Metal, Sludge, 64 comments

“Hailing from the bovine infested English Channel island of Guernsey, Byzanthian Neckbeard combine sludgy stoner metal with old school-minded death doom. Yes, these styles come from very different places and mindsets, but the rather large overlap on this Venn Diagram of Doom is labeled “big riff energy.”” Big, neckbeards mean big riffs (and cows).

Dawn Ray’d – Behold Sedition Plainsong Review

By Roquentin on October 25, 2019 in 2019, Black Metal, British Metal, English Metal, Prosthetic Records, Reviews, Atmospheric Black Metal, Black Metal, 86 comments

“Pyres become beacons as flames rise with a dangerously bright burn, lick the sky, and drape the green banks of the Sava river in a majestic red glow. It’s a transporting and defiant occasion: the roaring fires ignite our inner blaze and unite us in remembrance of Partisans like my grandfather that on May 8th, 1945 freed Croatia’s capital, Zagreb, from occupying Nazi (and collaborationist) forces. These memories of the Trnje bonfires flicker in my mind while I listen to Behold Sedition Plainsong, the second full-length of Liverpool black metal trio Dawn Ray’d. Because this is a music of awakening that sweeps away the waters of Lethe meant to make us forget what the liberation from occupation and similar historic moments stood for then and today.” Music with a cause.

Arx Atrata – The Path Untravelled Review

By Emya on October 16, 2019 in 2019, Black Metal, British Metal, Reviews, Self-released, Atmospheric Black Metal, 18 comments

“The sound of birds chirping is, for me, both calming and therapeutic. My response to birdsong is not an unpopular one. Sound experts claim that ‘people find birdsong relaxing and reassuring because over thousands of years they have learnt when the birds sing they are safe, [and] it’s when the birds stop singing that people need to worry.’ Thus, I truly felt relaxed and at peace listening to the chirping birds, soft synths, and gentle acoustic guitar in the opening moments of Arx Atrata’s new album The Path Untravelled.” When the road forks, take it.

Alunah – Violet Hour Review

By El Cuervo on October 14, 2019 in 2019, British Metal, Doom Metal, Heavy Metal, Heavy Psych Sounds Records, Reviews, Doom Metal, Heavy Metal, 17 comments

“Those more tenured readers may recall that I was rather taken with Alunah’s Awakening the Forest, a folksy, beforested homage to Black Sabbath featuring exemplary female vocals to carry its tunes. 2017’s Solennial fared less well as I queried the limitations of the style and less memorable song-writing. 2019 has rolled around and with it the succeeding album called Violet Hour. Violet Hour is the first Alunah full-length release (following last year’s EP called Amber & Gold) without founding member and singer Sophie Day. Their sound is hardly one challenging boundaries or progressing its scene but this shake-up to a core component had the potential to change the band more widely. Has it?” Going through changes.

Grim Reaper – At the Gates Review

By Huck N Roll on October 10, 2019 in 2019, British Metal, Dissonance Productions, Heavy Metal, NWOBHM, Reviews, Heavy Metal, NWOBHM, 7 comments

“It’s been 36 years since an upstart British band called Grim Reaper released See You in Hell. It wasn’t the greatest album, but there was a certain charm about the band that made that album, and the follow-up Fear no Evil, stick in many playlists back in the day. That charm was due in no small part to singer Steve Grimmett. Steve’s been through hell and back over the last couple of years, first losing part of his leg a couple years ago and then having his brother pass away. But he’s back now, with Steve Grimmett’s Grim Reaper.” Reapers gonna reap.

Opium Lord – Vore Review

By GardensTale on October 10, 2019 in 2019, British Metal, Noise, Reviews, Sludge Metal, Sludgelord Records, Sludge, 20 comments

“Vore, for the blissfully unaware amongst us, is one of the stranger fetishes the internet has given a home. It is the fetish for being consumed. Yes, like in Bloodbath’s “Eaten.” In their infinite wisdom, the internet has even made sub-categories to such a specific fetish, namely soft vore (being swallowed whole) and hard vore (to see your body ripped and torn). Now, I don’t know why Birmingham’s Opium Lord decided to name their sophomore album after this infamous fetish. Their nasty, noisy sludge is about as arousing as battlefield amputations.” Mouthful of noise.

65daysofstatic – replicr, 2019 Review

By Emya on October 7, 2019 in 2019, British Metal, Experimental Metal, Non-Metal Metal Things, Reviews, Superball Music, Ambient, Electronic, Non-metal Metal Things, 30 comments

“65daysofstatic can do no wrong. From being invited to score the first radio adaptation of Kurt Vonnegut’s novel Slaughterhouse-Five (Vonnegut fangirl here!) to soundtracking the procedurally generated open world planetary exploration game No Man’s Land, the experimental four-piece band from Sheffield, England have again and again graciously cherry-picked unique opportunities that are presented to them upon which to work their magic. 65daysofstatic meticulously piece together complex and emotional structures of sound and continually push the boundaries of what’s possible for music to convey. replicr, 2019, 65daysofstatic’s eighth studio album, is no exception.” Non-static Static.

Torpor – Rhetoric of the Image Review

By Cherd on October 5, 2019 in 2019, British Metal, Doom Metal, Medusa Crush Recordings, Moment of Collapse Records, Noise, Post-metal, Reviews, Sludge, Sludgelord Records, Doom Metal, Experimental Metal, Noise, Post-Metal, Sludge, 15 comments

“I have my own boxes to check as I look for the next Cherd friendly album, so when patterns emerge, I take note. Recent positive experiences with doomy, noise tinged post-metal from the United Kingdom packaged in black and white cover art, namely Sūrya and Bismuth, led me to take a chance on Torpor’s Rhetoric of the Image. Will the sophomore effort from this three-piece keep the hitting streak alive?” Post-gambling.