2020

Mondo Generator – Fuck It Review

Mondo Generator – Fuck It Review

“It’s hard to say why I grabbed Mondo Generator’s subtly titled Fuck It from the promo bin but, if you’re putting me on the spot, I think excitement probably got the better of me. Not, I should be clear, excitement because I love Mondo Generator – I do not – but simply the excitement of seeing a band I had actually heard of, which had not already been snapped up by one of the nimbler reviewers. The brainchild of Nick Oliveri – and sometimes also known as Nick Oliveri’s Mondo Generator – of Kyuss, Dwarves and Queens of the Stone Age fame (among others), Mondo Generator has been around for quite a while.” Bad attitude.

Slaughter Messiah – Cursed to the Pyre Review

Slaughter Messiah – Cursed to the Pyre Review

“Playing a perfectly twisted combo of Coma of Souls Kreator and Reign in Blood Slayer that’s been laced with the icy fingers of black metal, Slaughter Messiah are unabashedly planting their flag of hate just south of heaven and laying claim to the realm of late 80’s/early 90’s thrash.” High, higher, hear the Pyre!

On Thorns I Lay – Threnos Review

On Thorns I Lay – Threnos Review

On Thorns I Lay have had an unusual career arc, evolving from doom death into goth rock and eventually alt-rock weirdness. After a 12 year period of inactivity, these Greeks reinvented themselves as a doomy melodeath act and 2018s Aegean Sorrow mixed elements of Insominium and the early Peaceville titans adroitly for an impressive platter of sadboi death. Threnos sees them sprinkling a wee bit more of their old doom style into their melodeath sound.” Thorn birds.

Primeval Mass – Nine Altars Review

Primeval Mass – Nine Altars Review

“What is it about black metal that drives artist to go at it solo? You rarely hear about one man thrash or prog metal bands, yet some of the biggest and most influential black metal artists take their journey solitary, including the likes of Panopticon and early Windir. They usually get by with the assistance of a guest musician or two. And most of these hermits even specialize in the same subcategory of atmospheric black metal. Maybe the inherent misanthropy of black metal specifically has something to do with it, or people copying their examples. Maybe it’s simply an easier genre to solo than others. Whatever the case, Primeval Mass is another example, with main man Orth taking up vocals, guitars and bass, leaving drums to session musician George C.” One man, nine altars.

Schizogen – Spawn of Almighty Essence Review

Schizogen – Spawn of Almighty Essence Review

“I try to keep an open mind when it comes to music, seeking out new forms of our favorite genre in hopes of unearthing a new, unpolished gem that, with some sanding down, can shine radiantly on the eyes in the ears of those who will listen. So when a promising new death metal band from a land not known for promising new death metal gets hyped up, I’m going to fixate my ears upon it and give it a listen. Hence, Ukraine’s Schizogen.” Hype and tripe.

Necrobode – Sob o Feitiço do Necrobode Review

Necrobode – Sob o Feitiço do Necrobode Review

“While I’ve certainly found many that have piqued my interest, few do it the way Archgoat does it. Fortunately, Portuguese trio Necrobode apparently heard my prayers and answered them with their Sob o Feitiço do Necrobode debut. Unfortunately, while this certainly scratched an itch, they still have a ways to go before they usurp their primary influence.” Goat with a bullet.

Runescarred – The Distant Infinite Review

Runescarred – The Distant Infinite Review

Runescarred blend thrash, heavy and progressive metal together into an amalgam that is simultaneously all of those things and its own thing entirely. Immediately upon completing a preliminary spin of The Distant Infinite, bands which first came to mind included The Offering, Nevermore, and Havok.” Prog may be closer than it appears.

Deliverance – Holocaust 26:1-46 Review

Deliverance – Holocaust 26:1-46 Review

“Like Amenra, they have the ability to suck you deep into tension-building ascensions before coming down on the front of your skull like a sledgehammer. But, the biggest difference between Amenra and Deliverance is that the latter prefers the accompaniment of rasping vocals and black-metal song structures. Combining this foundation with Amenra-like builds and Gojira-esque, concrete-cracking riffs, 2020 finds Deliverance releasing their most-impressive work to date. But, good luck looking beyond the haunting artwork, the heart-sickening album title, and a band name that reminds one of hillbilly butt sex. Now, everyone, open your books to the chapter of ‘Holocaust’ and let’s begin.” End times.

Xenobiotic – Mordrake Review

Xenobiotic – Mordrake Review

“Recently a new rule was established in the AMG offices: no more claiming promos more than a month out. Giving everyone equal opportunity makes for more entertaining gladiatorial combat in the Skull Pit, you see. But now it’s become a game for the clever, so I decided to scout the waters ahead in case I needed to be ready to pounce. When I came across a promo by Australian prog-tech-deathcore outfit Xenobiotic, stared at the gorgeous Lewandowski cover and listened to its advance track, I actually set an alarm for the day I could lay claim to it, before Kronos or Ferrous could get their claws into my precious. Because if the rest of Mordrake was as good as the single I sampled, I knew we were dealing with potential Album of the Year material.” Throw it into the fire!

TerrifianT – Terrifiant Review

TerrifianT – Terrifiant Review

“Nothing lasts forever. Despite having a very sweet opening run to 2020, I knew that I’d come back down to earth. Three ‘very good’ albums in a row, featuring strong songwriting, production, and vocals, was honestly more than I could have hoped for. Eventually, the system will reset itself, and something mundane will drip down the basement pipes to my desk. Enter TerrifianT, who, yes, capitalize that last ‘T.'” Terror with a capital T.