Atmospheric Black Metal

Óreiða – Óreiða Review

Óreiða – Óreiða Review

“Atmospheric black metal is tricky to judge. The definitions for the style are broad, and its success really lies in the emotional resonance felt by the listener. Obviously, this is a true statement of all art, but I’ve always found the more abstract qualities of atmospheric black enhance that statement beyond its usual bounds. To me, this makes it a very difficult style of music to review. So, naturally, when I came across an unreviewed sample of the genre, I leapt at the chance to become better acquainted with Óreiða, and their self-titled full length debut.” Void where sold.

Ellende – Lebensnehmer Review

Ellende – Lebensnehmer Review

“I love it when cover art tells you all you need to know about an album’s themes. Look at that skeleton — he’s clearly in the middle of a battle. So this will be a furious riposte to the notion of the glory of war, right? A blast of anger like Marduk or 1914, perhaps? But peer closer: he’s settled mournfully next to a fallen comrade, arm placed tenderly on his chest, a look of weariness and loss etched on his skeletal visage. Head up, he stares forlornly at the horrors that lie ahead. The theme of Ellende’s Lebensnehmer (“Life-Taker”), then, is less the fury and horror of war, and more the melancholy, pain, and loss that accompanies it.” Survivor’s remorse.

Odious Devotion – Odious Devotion Review

Odious Devotion – Odious Devotion Review

“Every now and again I crave to venture forth into uncharted territory, at least as it pertains to my musical imbibements. I yearn to take in new music totally blind, without expectations or prior knowledge of the artist or the genre. Thankfully it’s December, a month where a decent crop of obscure bands creep out of the darkest corners of the metalverse, one of whom are newcomers Odious Devotion. I suspected that I would uncover little about this band other than that they were Finnish, played black metal, and were ready to drop an eponymous debut just before Christmas. Despite best efforts, my suspicions proved well-founded.” Suspicious minds.

Exit…Hall Left: The Weenie Metal Round-Up [Things You Might Have Missed 2018]

Exit…Hall Left: The Weenie Metal Round-Up [Things You Might Have Missed 2018]

“Not everyone can be BRUTAL ENOUGH!!! Some of us are hobbits; diminutive, folksy, averse to Camo™ and Camo™-derived accouterments. Maybe you just want to smell the flowers, despite your allergies. That’s ok. We’re here for you.” Hello, weenies.

Karg – Dornenvögel [Things You Might Have Missed 2018]

Karg – Dornenvögel [Things You Might Have Missed 2018]

“If you’re like me in more socially acceptable ways, you fvcking love Harakiri for the Sky. Something about those cloying tremolo-picked melodies coupled with J.J.’s soulfelt screams just fucking does it for me in a way that I can’t get enough of, so checking out homeboy’s one-man blackened adventure, Karg, was a no-brainer for me while I waited out February’s Arson. Thank Jørn I did, as it gave me the opportunity to properly anticipate the project’s then-pending 6th full-length release, Dornenvögel, and likewise be that much more satisfied by its utter fucking greatness.” Karg the Exterminator.

Bloodbark – Bonebranches [Things You Might Have Missed 2018]

Bloodbark – Bonebranches [Things You Might Have Missed 2018]

“If you’ve been making the mistake of paying attention to me this year, you’ve probably noticed the name Bloodbark tossed about all William Nilliam. This phenomenon has occurred for two reasons, the first of which being that you likely have terrible tastes in role models. The second, more important reason, is that Bonebranches comprises forty minutes ov the most magnificently Muppetous metal music made amidst the massive, miserable mess mankind’ll ‘member as ‘2018.’” Muppet bones.

Jo Quail – Exsolve [Things You Might Have Missed 2018]

Jo Quail – Exsolve [Things You Might Have Missed 2018]

“I love the cello. I don’t think there are any other instruments which offer the tonal range and gorgeous timbre a cello can. I also think it’s criminally underused in heavy music. Apocalyptica demonstrate it can sound metal as hell, yet otherwise it’s mostly limited to a few cameo appearances. This brings me to Jo Quail, experimental cellist, loop pedal wizard, and versatile session musician. Her own back catalog is largely a post-rock/modern classical blend, and after a year in which she’s supported acts like Myrkur, Amenra, Boris, and Winterfylleth, their influence clearly shows on her new record. With her sound evolving towards post-metal and atmospheric black metal, her new album is an interesting development.” Cello, my friends.

Avast – Mother Culture Review

Avast – Mother Culture Review

“Dear Kronos, If you’re reading this, it’s already too late. When the respective hazes of gun smoke and cranial-injury clear, you’ll find your army of feral pigs disposed of and your fortress reduced to rubble; I even sang Porcupine Tree as everything burned to the ground, how’s that for brutal, yo? Anyway, you knew this was coming. You had something of mine – that’s right, had. Not only are you down a fortress and a pig army, but you’ll also find yourself no longer in possession of Avast’s Mother Culture.” Speak the Charm of Taking.

Finnr’s Cane – Elegy Review

Finnr’s Cane – Elegy Review

“Canada’s Finnr’s Cane are much more than their limiting label might suggest. Inspired by the rugged beauty of their country, third album, Elegy, draws great gasps of atmosphere and exhales somber doom with every breath, adding some much-needed weight to the genre. But, as Finnr’s Cane’s music is often improvisational, and considering their penchant for rambling ephemera, I am left to wonder if the band can steer their vehicle in the appropriate direction.” Citizen Caning.

Gaerea – Unsettling Whispers Review

Gaerea – Unsettling Whispers Review

“A black metal Transcending Obscurity release with monochrome artwork: who could have ever foreseen this one falling into my velvety grasp? Portugal’s Gaerea certainly put their Muppet-est foot forward when casting Unsettling Whispers into the Angry Metal Promo Sump, and yet I was wary. Black metal is the best metal, ov course, but it’s also everywhere and lately sounding too similar to itself. Sure, a few vague details got my attention, but I’m a poseur and all the Muppet love in the world can’t make an album innovative or objectively meritorious; did I perhaps build my hopes too high only to find yet another band trying to be either Ulcerate or Agalloch?” Black metal art.