Dismember

The Generals – To Hell Review

The Generals – To Hell Review

The Generals are a Swedish quartet from Åmål, releasing two full-lengths and a split since their 2002 formation. 2009 debut Stand Up Straight and 2013’s Blood for Blood were both solid slabs of Wolverine Blues mimicry that, despite their simplicity, had no need to fix what wasn’t broken. To Hell, the first effort since 2013, continues and capitalizes upon its “death metal-cigarette with a rock ‘n’ roll filter” aesthetic with chunky riffs, blazing solos, pissed-off barks, and a Swedeath buzzsaw tone that commands respect.” Hell ain’t a bad place.

Wombbath – Tales of Madness Review

Wombbath – Tales of Madness Review

“Heeeere’s Jonny! Again! I’m not sure how many albums Jonny Pettersson has released in 2020, but this is the third I’ve covered, and the second by his Wombbath project. The band released the sprawling, mostly compelling, Choirs of the Fallen back in March and have since signed with Transcending Obscurity Records. Not wanting to wait to see where this new partnership might take them, Jonny and co. are releasing Tales of Madness, a collection of several rerecorded demo tracks from the band’s pre-Jonny past.” Womb service.

Demonical – World Domination Review

Demonical – World Domination Review

Demonical is a reliably good band from that everflowing stream of Swe-death. I got into them on the fun Death Infernal and kept with them ever since. I know when I want some cool modern Swe-death that merges Dismember, Entombed, and Amon Amarth pretty effectively, I can turn to Demonical.” Demonical inwasion!

Lik – Misanthropic Breed Review

Lik – Misanthropic Breed Review

“Critic-bait comes in two forms: pretension and novelty. Critics are often a special mixture of jaded and self-important, so something that appeals to an inflated sense of one’s own intelligence or to that jaded sensibility which dismisses the familiar reflexively, respectively, is what sets the critical heart aflutter. Lik is not critic-bait, but they’ve got this particular critic hook, line, and sinker.” Dismember tomorrow.

Burial Remains – Spawn of Chaos Review

Burial Remains – Spawn of Chaos Review

“Today marks not only my 100th full review here at AMG, but also the first time that I will be covering a band for the second time. Double milestone! Just over a year ago, I wrote about Trinity of Deception, the debut full-length from Dutch band Burial Remains. It was thoroughly enjoyable, if somewhat unremarkable in the songwriting department, but its primary victory was in achieving the quintessential Swedish death metal sound. Recent re-listening reminded me just how potent the band’s HM-2 attack can be, so I’ve been mixing and stockpiling two-stroke gasoline to prepare for all of the chainsawing I expect to hear on follow-up Spawn of Chaos.” The saw is the law.

Valgrind – Condemnation Review

Valgrind – Condemnation Review

“Most of us know someone who doesn’t speak often, but when they do, we listen. Case in point: Not long ago, I received a cryptic message from Ferrous Beuller that simply said, “You should pick up the new Valgrind for review.” And that’s all it took.” Iron commands.

Earth Rot – Black Tides of Obscurity Review

Earth Rot – Black Tides of Obscurity Review

“Last month I sampled an advance track for Earth Rot‘s third full-length album, Black Tides of Obscurity, and I rather enjoyed what I heard. And now that I’ve spent some significant time with the full record, I have to say that I’m completely blown away. Black Tides of Obscurity is the sound of a band that believes the answer to the question “Should we play old school Swedish death metal or true Norwegian black metal?” is an emphatic “YES!”” Rot n’ roll.

Hellsodomy – Morbid Cult Review

Hellsodomy – Morbid Cult Review

“I’m willing to bet Voidhanger‘s Working Class Misanthropy is a legal means of execution in some countries and Goatwhore‘s live performance remains the only thing that has caused me to piss my pants in my adult life. Hellsodomy don’t sound too much like those bands, but the raging energy this Turkish quartet exudes with their whirlwind of blakk, thrash, and death is enough to make me consider shoving their second album Morbid Cult right into the flabby folds of my Year End List.” Are you cultish?