Mar20

Then Comes Silence – Machine Review

Then Comes Silence – Machine Review

“For starters, one of the weirder batches of name drops that I’ve ever whipped together: Then Comes Silence sound something like the frolicking gloomchild of The Cure, MGMT, Eurythmics, and Impure Wilhelmina. Machine is a strange thing of bouncing electronica and sullen prog, a 45-minute dance through the tears—or maybe it’s with?” Auto-saboi.

Dawn of Ouroboros – The Art of Morphology Review

Dawn of Ouroboros – The Art of Morphology Review

“I found Dawn of Ouroboros out walking after midnight through the Bandcamp grounds, and while I may have ultimately been hauled back to my angry metal prison in a most silverback-ed and unceremonious fashion, you can bet your sorry ass that I managed to smuggle the Californians’ debut back with me. You’re welcome.” Muppet Mythos.

Record(s) o’ the Month – March 2020

Record(s) o’ the Month – March 2020

“March of 2020 was a big month for me, personally. I turned in a full manuscript of my dissertation for a seminar that gives you the bits and pieces that need to be fixed in order to go to a public defense. As a result, AngryMetalGuy.com is one step closer to getting AMG Himself back. You can bet that heads will fucking roll. That’s what I do around here. Fortunately, I had a solid stable of records to listen to while I was editing and planning my inevitable return, including March’s Record o’ the Month.” Back to rule.

Wake – Devouring Ruin Review

Wake – Devouring Ruin Review

“Finding catharsis in the midst of chaos is the name of the game these days. It’s why every tenth article in your COVID co-opted news avalanche feed is about a bunny who adopted stray kittens. It’s why last Saturday I watched a live stream of a drag queen disinfecting every surface in her kitchen while performing Queen‘s “I Want to Break Free.” As the world around us is brought to its knees by the weight of uncertainty, we instinctively seek out and appreciate these small pressure release valves. Bands who ply their trade in chaotic styles should pay attention. Chaos plus time equals background noise, but there are two options to keep an audience engaged. The first is brevity. This is why hardcore punk albums are traditionally 25-30 mins long. The second is the thoughtful placement of sonic perches to rest upon.” Choose wisely.

Graceless – Where Vultures Know Your Name Review

Graceless – Where Vultures Know Your Name Review

“One of my very first reviews as a n00b saw me tackling 1914‘s The Blind Leading the Blind, an album that effectively combined the rumbling death/doom of Asphyx and the grooving attack of Bolt Thrower, so when I saw that the latest release from Dutch band Graceless was touted as embodying that same combo, I thought I’d give it a whirl and hope that it would be the shot in the arm I desperately need.” Death inoculations.

Rämlord – From Dark Waters Review

Rämlord – From Dark Waters Review

“No one expects the Rämlord, nor should they. Formed by members of such wildly diverse acts as Impaled Nazarene, Legenda, and National Napalm Syndicate, Rämlord is a strange new act purpose-built to defy genre boundaries as they explore classic metal styles. On their debut, From Dark Waters they attempt a near herculean amount of genre hoping, dragging in influences from goth rock, hair metal, hard rock, 80s radio rock and a few other odds and sods along the bumpy journey they fashion for the unsuspecting listener.” Rämming speed!

Demonic Death Judge – The Trail Review

Demonic Death Judge – The Trail Review

“The fantastically named Demonic Death Judge is a sludge/stoner quartet from Kymenlaakso, Finland, having released two EPs and three full-lengths of plodding and hazy dirges since 2009, The Trail being their fourth. Their first two full-lengths were nearly identical to Louisianan Thou‘s gloomy sludge affairs, pitching molasses-thick riffs, blackened rasps, and decidedly bleak themes.” The path unbakened.