Mar20

Bloodspot – The Cannibal Instinct Review

Bloodspot – The Cannibal Instinct Review

Bloodspot would also like you to know that they aren’t afraid to cross genres. That said, they ain’t no atmospheric, avant-garde black metal group. Instead, this German quintet attempts to cross doom with groove and death with thrash. In the end, though, the band’s sound is closest to that of Swede-thrash outfits like At the Gates and The Haunted. But, there’s more to Bloodspot and their new outing, The Cannibal Instinct, than meets the eye. The question is, is it worth exploring?” Food chaining.

Demiser – Through the Gate Eternal Review

Demiser – Through the Gate Eternal Review

“It’s spring in Minnesota. Given the harshness of our winters, these longer daylight hours and warmer temperatures always feel transformative, but after these past 12 months of hell, and with vaccination rates climbing and new Covid cases dropping, one can almost imagine normal life emerging from the pandemic like the landscape emerges as the snow disappears. In physical terms, this means the compulsion to go outside is strong. Absorb some sunlight, smell the mild air, watch things grow. In metal terms, it’s time to put down the doom and dsbm and reach for something fun, fast and filthy. South Carolina’s blackened thrash band Demiser have spent pandemic isolation crafting their debut full-length, Through the Gate Eternal.” Reports of Demiser are not greatly exaggerated.

Almanac – A Discographic Review [Tsar (2016), Kingslayer (2017) and Rush of Death (2020)]

Almanac – A Discographic Review [Tsar (2016), Kingslayer (2017) and Rush of Death (2020)]

“For the last four years, I have been neglecting—and you have been denied my Very Important Opinion™ about—one of the most idiosyncratic voices in metal: Victor Smolski. And so, in a Swallow the Sun-sized act of hubris, I’m writing a discographic review of Victor Smolski’s Almanac.” You can’t spell “Almanac” without MAN!

Then Comes Silence – Machine Review

Then Comes Silence – Machine Review

“For starters, one of the weirder batches of name drops that I’ve ever whipped together: Then Comes Silence sound something like the frolicking gloomchild of The Cure, MGMT, Eurythmics, and Impure Wilhelmina. Machine is a strange thing of bouncing electronica and sullen prog, a 45-minute dance through the tears—or maybe it’s with?” Auto-saboi.

Dawn of Ouroboros – The Art of Morphology Review

Dawn of Ouroboros – The Art of Morphology Review

“I found Dawn of Ouroboros out walking after midnight through the Bandcamp grounds, and while I may have ultimately been hauled back to my angry metal prison in a most silverback-ed and unceremonious fashion, you can bet your sorry ass that I managed to smuggle the Californians’ debut back with me. You’re welcome.” Muppet Mythos.

Record(s) o’ the Month – March 2020

Record(s) o’ the Month – March 2020

“March of 2020 was a big month for me, personally. I turned in a full manuscript of my dissertation for a seminar that gives you the bits and pieces that need to be fixed in order to go to a public defense. As a result, AngryMetalGuy.com is one step closer to getting AMG Himself back. You can bet that heads will fucking roll. That’s what I do around here. Fortunately, I had a solid stable of records to listen to while I was editing and planning my inevitable return, including March’s Record o’ the Month.” Back to rule.

Wake – Devouring Ruin Review

Wake – Devouring Ruin Review

“Finding catharsis in the midst of chaos is the name of the game these days. It’s why every tenth article in your COVID co-opted news avalanche feed is about a bunny who adopted stray kittens. It’s why last Saturday I watched a live stream of a drag queen disinfecting every surface in her kitchen while performing Queen‘s “I Want to Break Free.” As the world around us is brought to its knees by the weight of uncertainty, we instinctively seek out and appreciate these small pressure release valves. Bands who ply their trade in chaotic styles should pay attention. Chaos plus time equals background noise, but there are two options to keep an audience engaged. The first is brevity. This is why hardcore punk albums are traditionally 25-30 mins long. The second is the thoughtful placement of sonic perches to rest upon.” Choose wisely.

Graceless – Where Vultures Know Your Name Review

Graceless – Where Vultures Know Your Name Review

“One of my very first reviews as a n00b saw me tackling 1914‘s The Blind Leading the Blind, an album that effectively combined the rumbling death/doom of Asphyx and the grooving attack of Bolt Thrower, so when I saw that the latest release from Dutch band Graceless was touted as embodying that same combo, I thought I’d give it a whirl and hope that it would be the shot in the arm I desperately need.” Death inoculations.