Oct19

Vinsta – Drei Deita Review

By Twelve on November 1, 2019 in 2019, Austrian Metal, Melodic Death Metal, Reviews, Self-released, Melodic Death Metal, Progressive Metal, 34 comments

“Sometimes metal is addictive in its brutality. Sometimes it is so technically impressive that we come back to it time and time again. Other times, it’s catchy, burrowing its hooks into our helpless brains and infecting us from within. But, in my own opinion, the best metal is simply compelling; it has an abstract quality about it that draws you in and becomes increasingly rewarding with every subsequent listen. So it was with Drei Deita (Three Foreboders), the second full-length release from Vinsta, a solo project from Austria’s Christian Höll.” Resurgence intensifies.

Griiim – Pope Art Review

By Kenstrosity on October 31, 2019 in 2019, Black Metal, Experimental Metal, French Metal, Noise, Purity Through Fire, Rap Metal, Reviews, Trap, Ambient, Black Metal, Electronic, Experimental Metal, Noise, Rap Metal, 27 comments

“Once upon a time there was a dude named Maxime Taccardi. Max has a twisted and dark mind, and I fear it. His music is equally frightening, and it makes me uncomfortable. Yet, I can’t turn it off. Try as I might to fend it off his insidious vision haunts my imagination, conjuring the most depraved scenarios for me to weather. For Max, it seems, this place of nightmares which he creates represents the repugnant underbelly of his Paris home. And so he put all that we refuse to see inside the “most romantic city in the world” to music. Ladies and gentlemen, Griiim’s Pope Art.” Warhol’s twisted Id.

Rank and Vile – redistribution of flesh. Review

By Holdeneye on October 29, 2019 in 2019, American Metal, Death Metal, Grind, Powerviolence, Reviews, Self-released, Death Metal, Powerviolence, 17 comments

“Cherd hides his immense adoration for my skills when he mocks the way I lob pun grenades into the middle of serious conversations in our backchannel communications, but that’s only because he hopes his dad joke skill is up to the challenge of his avatar ascending into toddlerhood. When I saw Rank and Vile in the bin, I couldn’t resist the beautiful play on words in the name. Just look at how ‘Rank’ is doubly punned — genius!” Thinning the ranks.

Necronomicon – Unus Review

By Mark Z. on October 29, 2019 in 2019, Black Metal, Canadian Metal, Death Metal, Reviews, Season of Mist, Symphonic Metal, Black Metal, Death Metal, Symphonic Metal, 21 comments

“Necronomicon are death metal underdogs. Formed in 1988, this Canadian trio have been toiling in the underground for decades yet have never achieved widespread popularity. Admittedly, that’s somewhat understandable given their sound hasn’t always been the most innovative. My first encounter with them was “The Time Is Now” from 2010’s Return of the Witch, which (while a decent song) made the band sound like they were trying to copy Behemoth’s The Apostasy.” Into the Unus.

Rexoria – Ice Breaker Review

By GardensTale on October 29, 2019 in 2019, Heavy Metal, Power Metal, Reviews, Swedish Metal, Heavy Metal, Power Metal, 12 comments

“What makes something interesting is a whole different ballgame. Until the Sky Dies has 146 comments to this day and remains a staple of the website, so for all the ways in which it is an abomination (and there are many), it is one of the most interesting records we’ve seen so far. But who among you remember, to grab a random example, The Living? Same autumn as Until the Sky Dies, a very nice 3.5, but I’d mostly forgotten about them myself before going back through my own reviews. Fact is, the memories of most of the albums we write about are fleeting, despite the musicians pouring their hearts and souls into what they do. A fate, I fear, may befall Swedish heavy/power outfit Rexoria as well.” Ice breaks, attention fades.

Telepath – Mental Mutations Review

By Saunders on October 28, 2019 in 2019, Apollon Records, Instrumental Metal, Progressive Metal, Progressive Rock, Psychedelic Rock, Reviews, Progressive Metal, Progressive Rock, Psychedelic Rock, 3 comments

“Although there’s been the odd exception over the years, generally speaking, instrumental metal is not really my bag. Not that I’m incapable of appreciating the often experimental aspects, self-indulgent jams, and technically proficient textures and moods conveyed from purely instrumental forms of metal. But even when vocals can be an afterthought or weak link on certain albums and genres of metal, I still generally prefer the vocal counterpoint. Yet I possess an open mind and variety is the spice of life, so when Telepath’s Mental Mutations remained unclaimed in the promo portal, I jumped into the unknown with optimism of what may lie ahead.” Tasting the mind of music theory.

Shadow Limb – Burn Scar Review

By Master of Muppets on October 28, 2019 in 2019, American Metal, Groove Metal, Progressive Metal, Reviews, Seeing Red Records, Sludge Metal, Groove Metal, Progressive Metal, Sludge Metal, 45 comments

“Let me make something clearer: Shadow Limb sound like early (read: good) Mastodon. Like, a lot. The only way to experience the earnest, adventurous riffs and rhythms of tracks like “Rudiger; ” or opener “Asger Arisen” without immediately recalling Mastodon is to have somehow never heard Mastodon in the first place. Half mast(odon).

The Great Old Ones – Cosmicism Review

By Eldritch Elitist on October 28, 2019 in 2019, Black Metal, French Metal, Reviews, Season of Mist, Black Metal, 74 comments

“It’s tough to sell a band like The Great Old Ones, who from a passing glance could be accused of ad libbing modern metal tropes. Lovecraftian concepts? Obviously. An indulgence in black metal’s modern, atmospheric trappings? You bet. Adorable matching outfits and manscaped beards? Like you even have to ask. Yet the band speaks for themselves. Unlike so many of their contemporaries in the current black metal scene, they morph the stale post-black aesthetic into something monumental and individualistic, a sound that reimagines post-black metal through an uncommonly aggressive lens.” Olde shadows grow greater.

The Lone Madman – Let the Night Come Review

By Steel Druhm on October 28, 2019 in 2019, Doom Metal, Finnish Metal, Reviews, Saturnal Records, Doom Metal, 16 comments

“Sometimes one gets lucky when promo sump diving and finds an unheralded gem. Other times you need to be guided toward one by a knowing compatriot. It was our very own Roquentin that drew my attention to Finnish doomsters The Lone Madman by playing me a sample of their debut Let the Night Come. Very impressed was I, and that brings us here.” Commence ranting and raving.

Stomachal Corrosion – Stomachal Corrosion Review

By Mark Z. on October 27, 2019 in 2019, Brazilian Metal, Crust Punk, Greyhaze Records, Grind, Reviews, 3 comments

“As one begins to explore metal more and more deeply, one comes to the realization that there are certain ‘legendary’ albums that seem to be appreciated more for being innovative than actually being good. I would argue, for example, that Napalm Death’s Scum is a pretty mediocre album overall and was far surpassed by the material that followed it, even if it remains a critical piece of extreme metal’s history. This becomes a problem when bands create new releases similar in style to these ‘innovative but not very good’ albums, resulting in records that are neither innovative nor good. But maybe Stomachal Corrosion could escape this fate” Tummy trouble.