Groove Metal

Messora – The Door Review

By Dear Hollow on October 17, 2019 in 2019, Canadian Metal, Groove Metal, Melodic Death Metal, Metalcore, Progressive Metal, Reviews, Self-released, Technical Death Metal, Groove Metal, Melodic Death Metal, Metalcore, Progressive Rock, 24 comments

“I don’t know what makes something “avant-garde.” I remember going to an avant-garde art museum in Santa Fe, NM, where there was a movie exhibit of a haircut. Literally, two men and one woman get an identical buzzed haircut in the shade of a gazebo in the mountains of China. There’s new age music plucking around back there, walls are lined with identical shots of their new haircuts, and shadow boxes of locks of hair covered the floor. It was weird and challenging and difficult to understand, but I think about it a lot. So, if that’s what’s avant-garde, Messora ain’t it.” Hammer, don’t hurt ’em.

Detraktor – Grinder Review

By Diabolus in Muzaka on September 23, 2019 in 2019, German Metal, Reviews, Thrash Metal, Violent Creek Records, Groove Metal, Thrash Metal, 21 comments

“Brewing a good cup of nostalgia is a delicate art. Being merely reminded of something—akin to South Park’s “Memberberries”—is fleeting and while the first sip is fine, the rest of the cup proves to be bland or even distasteful. The quality mixed with the aesthetic is what makes nostalgic stuff satisfying. It’s not enough to make a game that looks like Contra if it doesn’t play like Contra or perhaps even better.” Speed re-kills.

Domination Inc. – Memoir 414 Review

By Holdeneye on August 26, 2019 in 2019, Greek Metal, Groove Metal, Reviews, SPV GmbH, Steamhammer, Thrash Metal, Groove Metal, Thrash Metal, 29 comments

“Greek thrashers Domination Inc. (minus the “Inc.” back then) released their debut Infants of Thrash. Take one look at the band’s name, and it shouldn’t surprise you that Infants sounds a cowboys from hell of a lot like Pantera. Fast forward four years and sophomore effort Memoir 414 finds the band wanting to “slightly move away from our initial old-school sound” and hoping that it will sound “heavier and more modern.”” Vulgar display of diary entries.

Shock Narcotic – I Have Seen The Future And It Doesn’t Work

By Dear Hollow on August 17, 2019 in American Metal, Grind, Housecore records, Uncategorized, Grind, Groove Metal, 7 comments

“I’ve been reviewing some long-ass albums lately. In the worship of Swallow the Sun’s Songs from the North I, II, & III, Bell Witch’s Mirror Reaper, or even Nightwish’s Endless Forms Most Beautiful, patient and epic songwriting takes precedence and the portrayal of endless and daunting landscapes in audio form rear their heads. It gets tiring. So I was like, “what the hell?” and went for grind. Shock Narcotic is a grind supergroup from Detroit, their debut album I Have Seen the Future And It Doesn’t Work released through Housecore Records.” Future shock.

Damn Your Eyes – Kill the Outside Review

By Dr. A.N. Grier on August 5, 2019 in 2019, Adrenaline PR, American Metal, Groove Metal, Hard Rock, Reviews, Groove Metal, Hard Rock, 11 comments

“Though absurd on so many levels, let’s imagine what it would be like to combine the aggressiveness of Down’s ‘Lifer’ and the catchiness of ‘On March the Saints’ with the comeback power of Machine Head’s ‘Imperium’ and the apocalyptic ‘Halo,’ all wrapped up in VH1’s second favorite grunge band, Alice in Chains. That must mean Damn Your Eyes’ debut record, Kill the Outside, sounds like ‘Aesthetics of Hate’-meets-‘Down in a Hole’-meets-‘Bury Me in Smoke,’ right? Wrong.” Damn you ears.

The Offering – Home Review

By Holdeneye on August 1, 2019 in Reviews, Death Metal, Deathcore, Groove Metal, Hard Rock, Heavy Metal, Metalcore, Nu Metal, Power Metal, Progressive Metal, Thrash Metal, 109 comments

“In 2017, Boston band The Offering dropped a self-titled—and killer—EP that got them noticed by Century Media. Well, it’s time to check out their debut full-length Home, so grab something olde, something nü, something growled, and something blues, because today we’ll be haunting the chapel to see if the band can successfully marry an unhealthy number of musical influences into a cohesive whole.” Holy headlock!

Yer Metal Is Olde: Nevermore – Dreaming Neon Black

By Holdeneye on July 10, 2019 in Yer Metal Is Olde, Groove Metal, Power Metal, Progressive Metal, Thrash Metal, 100 comments

“If a wise old man were to ask me Conan-style “What is best in metal?” I would without hesitation respond by glorifying the work of my favorite band of all time, Seattle’s Nevermore. While often lumped into the prog/power bin, their music reaches far beyond the boundaries of such a tag. By downtuning, adding elements of groove, thrash, and death metal, and coloring the whole affair with an intensely hopeless and bleak outlook, the band created a nearly unclassifiable sound that encapsulates nearly every great thing that metal has to offer.”

Schattenmann – Epidemie Review

By Huck N Roll on July 3, 2019 in 2019, AFM Records, German Metal, Gothic Metal, Groove Metal, Industrial Metal, NDH, Reviews, Groove Metal, Industrial Metal, 22 comments

“We didn’t review the newest Rammstein album here at Angry Metal Guy, but that doesn’t mean we didn’t listen to it, or talk about it between bench press sets. The overall impression was favorable, believe it or not, and this loyal reviewer would have happily given it a 3.0. There was enough variety and catchiness that it was a fun spin. However, some folks out there in the wide world feel that Rammstein and the whole NDH genre are outdated. Who would say such a thing? Well, the boys in Schattenmann, that’s who.” Ramming speed.

Bloodred Hourglass – Godsend Review

By Holdeneye on June 25, 2019 in 2019, Finnish Metal, Groove Metal, Melodic Death Metal, Out of Line Music, Reviews, Thrash Metal, Groove Metal, Melodic Death Metal, Thrash Metal, 45 comments

“Last year, no fewer than eight AMG staff members placed Queen of Time by Amorphis somewhere on their year end list. If you’re reading this and happen to be one of the eight people whose names are written in bolded burnt orange in support of that album on this page — especially if your name starts with Angry and ends in Guy — please stop reading now and go about your business elsewhere. I’ll be honest with you, I never once made it all the way through that album in one sitting despite trying in earnest six times. Don’t get me wrong, there’s a lot to love on Queen of Time, but that’s just it — there’s a lot of it. The sugary melodies are great, but the album and most of its songs are far too long and there is not enough heaviness to balance out the pop. I was content to remain silent in my dissent until I began spinning Godsend, the fourth record from a different Finnish band, Bloodred Hourglass.” Hourglass houses and stones.

Parallel Minds – Every Hour Wounds… The Last One Kills Review

By Holdeneye on April 2, 2019 in 2019, French Metal, Groove Metal, Pitch Black Records, Power Metal, Progressive Metal, Reviews, Groove Metal, Power Metal, Progressive Metal, 86 comments

A quick glance at my bio will reveal that besides large helpings of bourbon, red meat, and snuggling, the quickest way to the Hol where my heart should reside is groove and thrash infused heavy/power metal. If asked to pack my metal suitcase for an involuntary extended stay upon a remote desert island, I would probably just quickly raid the discographies of Nevermore, Iced Earth, Theocracy, and Symphony X and call it good. So, anytime a band gets compared to any of these genre heavyweights I must take notice. Needless to say, such comparisons mandated that I pick up Every Hour Wounds… The Last One Kills, the sophomore album from French band Parallel Minds.” The mind is a terrible thing to waste.